Notes On A Scandal (2006)– Judi Dench and Cate Blanchett have garnered many accolades for their performance in this movie, and I must say well deserved. But I’d just like to give a fair share of credits to Phillip Glass, the minimalist composer. His torrents of symphonic upheavals and tidal waves of nerve wrecking themes effectively create the momentum, sweeping our emotions along the way. Without the music, we would be just watching the flesh without the soul, motion without feelings. Loneliness can be the most powerful potion. It can wreak devastation, bringing destruction to self and others, yet strangely, it can also drive one to seek redemption, as Dench and Blanchett have shown us so powerfully these two scenarios. Kudos also to Bill Nighy, who may well be the ultimate victim of this tragic betrayal. The road to redemption is paved with forgiveness. The construction of which begins with his opening the door and letting his wife back in. After all the tension, I feel relieved to see such a resolution. In contrast, the note of perpetual malice in the final scene resonates in me a most disturbing chord.