Diversity Wins at TIFF 2018

It’s a wrap for the 43rd Toronto International Film Festival as the awards were handed out on Sunday, September 16, 2018, at the TIFF Bell Lightbox Theatre 1. The top prize, the Grolsch People’s Choice Award went to Green Book, a world premiere at TIFF18. Directed by Peter Farrelly, the comedy-drama stars Mahershala Ali as classical pianist Don Shirley and Viggo Mortensen as a working-class Italian-American bouncer getting the job to drive Ali on the road in the American South during the 1960’s. Ali won an Oscar for his role in Moonlight (2016), Mortensen is a two-time Oscar nominee. Looks like the film has just got a huge boost with this win and will travel far in the upcoming Awards Season.

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Viggo Mortsensen driving Mahershala Ali in “Green Book”. Photo courtesy of TIFF.

If Beale Street Could Talk, a world premiere at TIFF18 and director Barry Jenkins’ follow-up to Moonlight (2016) was the People’s Choice Award First Runner-Up. Based on the novel by James Baldwin, the film tells the love story of a young African American woman trying to prove her imprisoned lover’s innocence. In the TIFF webpage, the film is described as a ‘gorgeous tone poem on love and justice.’

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KiKi Layne and Stephan James in “If Beale Street Could Talk”. Photo courtesy of TIFF.

Alfonso Cuarón’s Roma (my review) came third in the People’s Choice Award. A Canadian Premiere at TIFF18, it is an artistic rendering of a young maid’s experience in a middle-class home in Mexico City during the 1970’s. Of note is the black-and-white film is regarded as a semi-autobiographical account of Mexican director Cuarón, the first Hispanic and Mexican to win the Academy Awards for Best Director with his sci-fi work Gravity (2013).

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Yalitza Aparicio as Cleo in Alfonso Cuarón’s “Roma”. Photo courtesy of TIFF.

The high-profile contenders First Man directed by Damien Chazelle with Ryan Gosling as astronaut Neil Armstrong, and Bradley Cooper and Lady Gaga’s A Star is Born did not place.

TIFF’s People’s Choice Award winner is often regarded as a predictor of the next Oscar Best Picture. Past winners that went on to capture the Oscar include Slumdog Millionaire, The King’s Speech, and 12 Years A Slave.

Capturing the People’s Choice Documentary Award is Free Solo, International premiere at TIFF18, directed by E. Chai Vasarhelyi and Chinese-American mountaineer/photographer Jimmy Chin. The duo chronicled the renowned rock climber Alex Honnold’s scaling free solo — without safety ropes — up the 3,000-foot cliff of El Capitan in California’s Yosemite National Park.

People’s Choice Award from the Midnight Madness program went to the The Man Who Feels No Pain, World Premiere at TIFF18, directed by Vasan Bala, one of the young, new wave filmmakers in India. This is a cinematic fusion throwing in Hong Kong martial arts comedy Stephen Chow styling, the agility of Jacky Chan, the Bollywood sensation, the American Superhero momentum, and the inspiration of Buster Keaton. Fits right in the Midnight Madness program of introducing new works by a new generation of filmmakers.

Platform Prize went to Cities of Last Things, directed by Ho Wi Ding. This world premiere at TIFF18 is a collaboration of filmmakers from Taiwan, China, USA, and France. From TIFF’s webpage, “a seamless blending of genres, from sci-fi to noir to romance, the Malaysian-born Ho commandingly employs cinematic language as a tool to discuss the root of our collective sadness, which is perhaps the very thing that makes us human.”

NETPAC Award for the world premiere of international and Asian film went to The Third Wife from female writer-director Ash Mayfair of Vietnam. A film about a 14-year-old girl’s struggles after she becomes the third wife of a wealthy landowner, set in 19th century rural Vietnam.

 

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It Takes an International Film Festival to Remind Us

It takes an International Film Festival to remind us that we live in a world with many countries and myriad of cultures, languages and experiences beyond our own. The Toronto International Film Festival (TIFF) opens a window looking out towards such a diverse human kaleidoscope. (All photos in this post are by Diana Cheng, Sept. 2018)

TIFF on Festival Street

What better time than now for us to press on to connect and share when it seems the progress we had made in recent decades had been dismantled in no time. What better means than through the visceral medium of film art in exposing views, eliciting empathy, and inspiring minds. Films could well be the best avenue to reach out and understand, as well, to be understood.

TIFF is the largest public film festival in the world. Its top prize is judged by the audience. Named the Grolsch People’s Choice Award, the annual winner is often a predictor of the next Oscar Best Picture. Some past winners include Slumdog Millionaire, The King’s Speech, 12 Years A Slave.

Glamour aside, the variety of its film selections are examples of diversity and opened doors to places and issues that are foreign to many in the Western world. But then again, finding the gem of universality may just be the serendipitous reward.

This year, the number of films in TIFF’s various programs comes to about 342, representing 83 countries, from Algeria to Kazakhstan to Vietnam, just to go down the alphabetical list. These official selections are chosen from a total of 7,926 submissions, 6,846 from around the world, 1080 from Canada domestically. Among these three hundred some titles, over 80 languages are used. After watching half a dozen of the international entries, reading subtitles at the bottom and watching the whole screen at the same time will become a skill you’ll be happy to have acquired.

Share Her Journey

Further, the Share Her Journey Rally on Saturday, September 8, lends a voice to the #MeToo and #TimesUp movements, pressing for respect and equality for women on both sides of the camera. Attended by hundreds and led by actress Geena Davis among other distinguished guests, the Rally represents a united front to shatter the glass ceiling in the film industry. This year at TIFF, 35% of films are by women filmmakers, a statistic that TIFF is aiming at improving.

During the first few days kicking off the Festival, King Street West was closed for a few blocks for pedestrians to enjoy the fun, food, and free samplings. Here are some sights on Festival Street.

Fusion food is the best sign of diversity. Check these menus out:

Food Truck Menu where East meets West

Fusion

Or, be transported to Paris just for a dream trip:

On Festival Street

and stop for a latté and croissant at Bistro Air France, if you don’t mind waiting:

Bistro Air France

To many, the fun part of TIFF is waiting. Many wait for hours to get just one glimpse of their favourite stars to arrive at a red carpet, there are several in different venues in downtown Toronto:

Star Gazing

Here’s another one, also waiting for their faves:

Still Waiting

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(All photos in this post are by Diana Cheng, Sept. 2018)

In the days ahead, my list of film reviews on both Asian American Press and Ripple Effects will include (director’s name after title):

Burning, Lee Chang-dong, S. Korea, N. American Premiere
Capernaum, Nadine Nabaki, Lebanon, N. American Premiere
Hotel Mumbai, Anthony Maras, Australia, World Premiere
Kursk, Thomas Vinterberg, Belgium, Luxembourg, World Premiere
Maya, Mia Hansen-Løve, France, World Premiere
Roma, Alfonso Cuarón, Medico, Canadian Premiere
Shoplifters, Hirokazu Kore-eda, Japan, Canadian Premiere
Shadow, Zhang Yimou, China, N. American Premiere
The Wild Pear Tree, Nuri Bilge Ceylan, Turkey, France, Germany, Bulgaria, North American Premiere
Wildlife, Paul Dano, U.S.A., Canadian Premiere

Just to name a few. More reviews coming up. Check out the details of the programs from tiff.net

 

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