Free Solo was showcased in the 2018 Toronto International Film Festival in September and won TIFF’s People’s Choice Awards in Documentary. It is currently showing in selective cities.
In the movie listing of our local theatres, Free Solo appears right after First Man, a Gala feature at TIFF18 that is now released widely. Other than the alphabetical coincidence, their being listed together is most apt, for the parallels are significant. Both involved the audacity of single-minded, death-defying courage, and yes, maybe a self-driven obsession.
The scale of the two endeavours massively differ. While First Man dramatizes astronaut Neil Armstrong’s (played by Ryan Gosling) attempt to place human’s first step on the moon, a mission propelled by the leading edge of science and technology of the time, Free Solo documents professional rock climber Alex Honnold scaling the 3,000 feet vertical wall of El Capitan in California’s Yosemite National Park using the lowest tech available: his bare hands and feet, solo and free from ropes and safety gears.
Both Armstrong and Honnolds knew clearly the risks involved. Director Damien Chazelle of First Man spends substantial screen time on the human cost of the space missions and the lives lost, while Honnolds was well aware of professional climbers before him falling to their death. Both men however had to focus on the task at hand and cast the risk factors aside. Worrying and negative thinking would only impede the mission in front of them. Such matters are better left to their significant others, Armstrong’s wife and sons, and Honnold’s girlfriend.
For one man to rise to a death-defying challenge, his loved ones boldly bear the emotional costs. The equation looks to be a zero-sum game.
Kudos to the filmmakers of both features then, for bringing the issue to the forefront. The overarching parallel of First Man and Free Solo looks to be the emotional toll on a hero’s significant others. One conflicting sentiment that is so intensely displayed by actor Claire Foy as Armstrong’s wife Janet is realizing that, to her husband, the mission appears to be more important than the family. In Free Solo, Honnold’s girlfriend Sanni had shed silent tears and borne the reality that she had to step aside and not be an obstacle blocking Honnold’s ambition. Getting her boyfriend to move from living in a van to a house, and gently warming him up to a meaningful relationship could be her mountain to scale.
Husband-and-wife directors Jimmy Chin and Elizabeth Chai Vasarhelyi captivate audience with their stunning cinematography in chronicling star rock climber Honnolds’ career and his rise to the peak (so far). What’s thought-provoking is their focus not just on the physical but the psyche of those involved, and especially girlfriend Sanni’s emotional toll and those of close friends in the climbing community such as Tommy Caldwell, who has given up free solos now that he’s put his wife and children into the equation.
But this is after all a documentary of bravery. Casting aside sentiments, doubts and softening vibes, it’s pure determination, courage, athleticism and obsession that drove Honnold to a free solo climb up El Capitan. Tim McGraw’s new song “Gravity” written with Lori McKenna for the film points out the other side of the equation, one must conquer fear to reach one’s goal when it’s so close; to Honnold, it’s worth the risks. “Gravity is a fragile thing / All of the work that you left in your roads / All of the dreams and that all / Now you can finally see them / They meet you at your destination / Now that you have made it so far.” (listen to the song)
Director Jimmy Chin‘s camera team consisted of all professional rock climbers/photographers. They situated themselves on the vertical granite wall in strategic locations to capture Honnold’s ascent. Remote cameras were also set up to minimize distractions. They knew dead silence and the least commotion were crucial for their work; a single pebble falling off could break Honnold’s concentration. For the free solo climber, one small misstep would bring certain death. So this was no spectacle for millions to watch on live TV like the lunar landing. That would only add more pressure. This is just one man’s audacious will to fulfill a lifelong dream.
Chin knows exactly the risks and what it takes to look fear in the face and not flinch, being an acclaimed mountaineer and photographer/filmmaker himself. When only 23, he had organized and led an expedition to Pakistan’s Karakoram mountains, and the rest is climbing history. Chin had since conquered numerous mountain tops as well as captured dangerous shots published in National Geographic and lauded worldwide. His award winning film Meru (2015) co-directed with wife Elizabeth Chai Vasarhelyi documented his three-men expedition to Meru Peak in the Himalayas, a peak more difficult than Everest which he’d reached several times. In 2016, he climbed Everest again and skied down its vertical surface.
Chin had known Honnold for about a decade and had gone on climbing expeditions together. Both knew each other well before committing to a documentary of the free solo up El Capitan, a National Geographic production.
The story doesn’t end here, at least I hope. Cut to director/mountaineer/photographer/filmmaker Jimmy Chin.
Born in Minnesota and grew up in a Chinese immigrant family, Chin learned hard work and humility from his librarian parents. To shatter the stereotype of a Chinese boy growing up in America, Chin’s story is exemplary. Surely he excelled in academics, read voraciously, and yes, played the violin and practiced martial arts, but Chin distinguished himself by wearing courage on his sleeve and manifested great strength and athleticism through his climbing expeditions. When as a young college grad, he shifted his devotion to mountaineering and adventure, a passion his parents did not embrace, all of them would not have imagined what a second generation Chinese immigrant boy born in Minnesota could have grown up to be.
Now, a documentary on Jimmy Chin, anyone?
~ ~ ~ 1/2 Ripples
All photos in this post courtesy of National Geographic