The trailer for this second Downton movie may give one the impression of entering a patisserie filled with colourful macaroons with its delicious decor and the pastel colour of a French villa in the Riviera, with matching costume too. In that short clip, the stylish zeitgiest of the Jazz Age could spark one’s imagination of Gatsby-esque frivolity. I’m glad to find these notions misleading, for the movie is not a gratuitous show of glamour or a fancy facade.
Reprising the success of the original TV series, Julian Fellowes focuses on the characters and their stories; the setting is exactly as it is, a beautiful backdrop, which is always a plus. All the details of story development are the very essence of the movie, tiny bits of delicious morsels for fans of Downton to savour. Indeed, I’m afraid this is a movie for those who are familiar with the characters as Fellowes continues with their life at Downton, the twists and turns. Clever dialogues and funny scenes, all gratifying to watch.
Downton Abbey: A New Era reminds me why the original TV series back in 2011 could sustain six seasons and a feature movie three years after it wrapped, and now three years further, another one. Why, it’s all about the characters and their stories. We want to follow them and find out what’s going on in their lives as time goes by and how they would act given different scenarios… and in this newest offering, see them grow old in real time. Not just for the adults, the kids too; George and Sybbie are the same child actors now much taller.
In A New Era directed by Simon Curtis (My Week with Marilyn, 2011), two storylines intertwine seamlessly. First off, the Dowager Violet Crawley (Maggie Smith) once had a short but juicy liaison d’amour in the south of France when she was young. Now decades later she learns that she has inherited a villa in the French Riviera as her one time beau had apparently took the love affair much more seriously than she did. Now she in turn bequeaths the property to Sybbie, Tom Branson’s (Allen Leech) daughter, a most kind and generous act. So, some of the Crawleys are going there to check it out and face up to a disgruntled widow.
Staying behind is Mary Crawley (Michelle Dockery) who has now taken over the helm of the property management at Downton. The year is 1928 heading towards 1929, while they can’t foresee the coming economic woes, Mary can see the leaky roof of Downton badly needing repairs. Lord Grantham (Hugh Bonneville) has never been up in the attic for years, but now looking at the buckets catching the dripping water, he agrees reluctantly to allow a film crew to shoot on location at Downton, all for the financial benefits that comes with it.
Both storylines are interesting subjects. While the expedition to the French villa is gorgeous visually—attracting an Architectural Digest article on the property––the filmmaking at Downton is no simple matter. At that time, silent movies are coming to the end replacing by the talkies. Fellowes has written not just an interesting scenario but informed viewers of the complexity of movie making at that time. No spoilers here, but the servants from downstairs have contributed effectively to this movie within a movie.
The storytelling is clear and enjoyable, kudos to some smooth editing and aptly paced scenes, some take longer to draw out the underlying significance of the dialogues, some faster just to pinpoint without dragging.
The smart opening is a succinct re-introducing of all the characters in one setting, at the church wedding of Tom and Lucy (Tuppence Middleton). Just about everyone is there. The camera follows the newlyweds as they walk down the aisle, greeted by all the Downton characters and related figures. Absent are Henry Talbot, who’s somewhere else in the world, ominous future for Mary. How I miss Matthew. And no mention of Rose.
New faces are the filmmakers at Downton, Hugh Dancy as director Jack Barber, Laura Haddock as the rude and insecure silent film star Myrna Dalgleish, and Dominic West (Prince Charles in The Crown S5) as co-star Guy Dexter. Three Downton figures play an important role in this segment, Mary, Molesley (Kevin Doyle), and surprisingly, Daisy (Sophie McShera).
Listening to the Downton theme music in the dark theatre––my first post-Covid movie viewing outside the home––via its state of the art sound system is a heart-stirring experience. What a difference it makes watching Highclere Castle on the big screen and hearing the theme music emerge. A New Era is a better movie than the first one three years ago. A must-see for Downton fans, and a fantastic prompt for those who have never watched the TV series… never too late to get on the ride.
~ ~ ~ 1/2 Ripples