The Oscar Results 2008

Kodak Theater L.A.

CLICK HERE for Oscar Results 2010

CLICK HERE for the 2009 Oscar Results.

Well I didn’t get to see my favorites winning an Oscar, as expected. But it was exciting seeing them walk down the red carpet and seated in the Kodak Theatre as nominees. For a full list of Oscar winners, you can go to the official Oscars website.

I’m glad to see Juno’s Diablo Cody getting the Best Original Screenplay, and Atonement receiving a nod for Best Original Score. As predicated by many, this year’s Oscars belong to those that portray the killer instinct, with No Country for Old Men grabbing the major ones: Best Picture, Best Director(s), Best Supporting Actor, and Best Adapted Screenplay. Daniel Day-Lewis winning the Best Actor Oscar for There Will Be Blood. The Bourne Ultimatum getting three golds, that’s a little surprise.

I’ve enjoyed the E Talk pre-Oscar show with Ben Mulroney interviewing stars on the red carpet. I just love 65 year-old Julie Christie’s answer to the question about the age disparity in her friendship with Sarah Polley, the 29 year old director of Away From Her: “She’s the old one, I’m the juvenile.” The lady sure has some wit.

What impress me most are the credits and tributes many of these Hollywood celebrities give to their mother and father for their achievement. My admiration goes out to them for that. Here are a few that I’m really fond of:

  • It’s heart-warming to see Javier Bardem honoring his mother and thanking her in Spanish during his acceptance speech.
  • Another one is Daniel Day-Lewis, acknowledging his grandfather, father, and his sons. How sweet is that?
  • While still on the red carpet, Jason Reitman, director of Juno, gives the ultimate credit to his mom and dad, acknowledging that everything he is today he owes it to his parents, and getting a kiss from dad Ivan Reitman for that.
  • And Diablo Cody, screenwriter for Juno, thanking her parents for accepting her the way she is…

These are just some examples I remember, and I’ll remember them for a while.

The 80th Academy Awards

Just a few days to the Oscars and I still haven’t written my take on the grand event of the year. Let me catch up.

I’ve been asked about my view on the nominees. Having seen all of the movies in the Best Picture category, I’ve to admit my opinion may very well differ from other critics’. Case in point is No Country For Old Men, one of the two favorites to grab the Best Picture Oscar. I may well be ostracized for saying this, but I feel that the movie is way overrated. In this already dysfunctional and desensitized world of ours, why would we still need a 2-hour movie showing the dark and evil side of human by graphically depicting the deepest hell evil can raise through a psychotic killer let loose, introducing new ways of killing and getting away with it, on and on with no end in sight? I admit I haven’t read Cormac McCarthy’s book, maybe he’s more well-meaning than the film adaptation, having chosen William Butler Yeat’s line for his title.

Call me ‘traditional’ or ‘moralistic’, when I go to see a movie, I still look for something ‘wholesome’. Yes, I’ve long passed that stage when, as a child watching a movie, I would constantly be asking whether a character is ‘good’ or ‘bad’. But now as a meaning-seeking adult, I still yearn for the ‘point’ of the film. Despite the chaotic world we’re so used to nowadays, I believe there still remains in us a vacuum that can be filled only by ideals transcendent and relationships meaningful. And film, being a visual form of communication, can be a powerful medium to express this kind of human quest. And that is one of my main criteria of a worthwhile piece of entertainment.

Ok, so here’s Arti’s take on the major categories.  Who will win and who I’d like to see winning can be very different.

Best Picture: Even though No Country for Old Men and There Will Be Blood are the critics’ favorites, I prefer Atonement.

Best Actor: While I haven’t seen Johnny Depp’s performance in Sweeney Todd, I think Daniel Day-Lewis has done an impressive job in There Will Be Blood and may well get to take home the golden statuette.

Best Actress: I’d love to see Julie Christie win another Oscars. The last time was more than 40 years ago, which I didn’t get to see. I think she well deserves another one with her performance in Away From Her.

Best Director: Although the favorite is the Coen Brothers for NCFOM, I’d like to see Julian Schnabel receiving it for The Diving Bell and the Butterfly.

Best Adapted Screenplay: I have 3 favorites here, Atonement, The Diving Bell and the Butterfly, and Away From Her. If I must choose one, I’d just wish to see lovely Sarah Polley winning it for Away From Her.

As much as I’ve enjoyed the movie Atonement, I don’t think it’ll grab the hearts of the voting members of the Academy. I can see it winning a couple in the minor categories like Best Costume, Best Art Direction, Best Music (Score), and hopefully Best Cinematography.

And, with all the rave Canada is making about Juno, and I’m glad to see it receive 4 major nominations, Best Picture, Best Actress, Best Director, and Best Original Screenplay, I’ve a feeling that the ‘Little Miss Sunshine episode’ may not be repeated this year. And, if I’m right, let’s just say getting these 4 Oscar nods is already phenomenal for so young an ensemble.

Click on ‘Movies Reviewed’ above to read my reviews on some of this year’s Oscar Nominees.

And…let’s occupy ourselves with meaningful endeavors to pass these three long days of anticipation…

Away From Her Movie Review

Update March 4: Away From Her won 7 Genie Awards last night in Toronto, Canada.  Among them are Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actress, and Best Adapted Screenplay.

In light of all the awards Julie Christie is garnering in this Awards Season, first winning the Best Actress Golden Globe, then getting an Oscar nod, and just now winning the Screen Actors Guild’s Best Actress Award all for her role in Away From Her, plus director Sarah Polley’s Oscar nomination for Best Adapted Screenplay, I’m re-posting here my review of the movie I wrote 8 months ago in May, 2007.  For those who missed the movie released in theatres last year, it’s timely to read the review and watch the DVD of this beautiful Canadian film, in preparation for the Oscars coming up February 24, 2008.

Away From Her

Away From Her (2006)–How can you turn a good short story onto the screen without compromising its quality? … By turning it into a screenplay written by an equally sensitive and passionate writer, and then, through her own talented, interpretive eye, re-creates it into a visual narrative. Along the way, throw in a few veteran actors who are so passionate about what the script is trying to convey that they themselves embody the message. Such ‘coincidents’ are all happening in the movie Away From Her.

Sarah Polley has made her directorial debut with a most impressive and memorable feat that I’m sure things will go even better down her career path. What she has composed on screen speaks much more poignantly than words on a page, calling forth sentiments that we didn’t even know we had. As Alzheimer’s begins to take control over Fiona, what can a loving husband do? Julie Christie and Gordon Pinsent stir up thoughts in us that we’d rather bury: how much are we willing to give up for love, or, how would we face the imminence of our loved ones’ and our own mental and physical demise.

Based on the story by Alice Munro, ‘The Bear Came Over the Mountain’, Polley brings out the theme of unconditional love not with your typical Hollywood’s hot, young, and sexy on screen, but aging actors in their 60’s and 70’s. It may not be as pleasurable to watch wrinkled faces hugging and kissing, or a man and a woman in bed, bearing age spots and all, but such scenes effectively beg the question: why feel uncomfortable?

Why does love has to be synonymous with youth, beauty, and romance? It is even more agonizing to watch how far Grant is willing to go solely for love of Fiona. Lucky for us, both writers spare us the truly painful at the end. It is through persistent, selfless giving that one ultimately receives; and however meager and fleeting that reward may seem, it is permanence in the eyes of love. And it is through the lucid vision of a youthful 27-year-old writer/director that such ageless love is vividly portrayed….Oh, the paradoxes in life.

~ ~ ~ Ripples

***

Congratulations Julie Christie!

Julie Christie

Update Jan. 28: Julie Christie has just won the Screen Actors Guild Award for Best Actress for her role in Away From Her last night in L.A.  Congratulations again!  

Update Jan. 22: Julie Christie has just been nominated for a Best Actress Oscar for her role in Away From Her, and Sarah Polley for Best Adapted Screenplay.  Sarah:  Dreams do come true! For a full list of Oscar Nominees, click here.

A glamourless Globe for Best Actress (Drama) went to Julie Christie, how fitting!  A no-nonsense recognition for some no-nonsense acting for her role as Alzheimer sufferer Fiona in Sarah Polley’s Away From Her.

Once described by Al Pacino as “the most poetic of all actresses” Julie Christie’s movies have been cinematic icons of an era: Darling (1965), Doctor Zhivago (1966), Fahrenheit 451 (1966), Far from the Madding Crowd (1967), The Go-Between (1970)…Yet, at 66, she has downplayed her achievement and shunned the attraction of fame and celebrity.

Christie has long avoided the glitz and glamour of stardom, appearing in only a selectively few films, evading the limelight that could have been hers.  In an interview with the New York Times last year at the release of Away From Her, she was asked about her name as a legend. Christie responded:  “I have no connection with that person at all…that person has gone.”

The British actress could have it all, if she had embraced such a life, but she chose to devote her time and passion to social activism and political causes.  Living almost reclusively away from the public eye for the past decades, Julie Christie just might not show up at the Golden Globe ceremony even if there were one. 

…but then, she probably would though, for her young Canadian friend Sarah Polley.  Christie wouldn’t want to miss the chance of bringing honor to Polley’s directorial debut, having met her while filming No Such Thing (2000) together.

Polley wrote the screenplay Away From Her, based on Alice Munro’s short story “The Bear Came Over the Mountain”.  As she was writing, she had in mind Julie Christie and Canadian veteran actor Gordon Pinsent playing Fiona and Grant.  At first, expectedly, Christie turned her down. But finally, Polley’s persistence over the years paid off.  At 28, Polley was inspired enough to pull together two veterans in their 60’s and 70’s to make a film about old age, love, loss, and Alzheimer.

 

Sarah Polley 

 

Sarah Polley once said about Away From Her in an interview:

“I don’t’ think that there’s any chance that I would get nominated. I mean I really hope that the actors have a shot at it …it would be such a dream come true if they were acknowledged…”

In a recent interview with The Toronto Globe and Mail, Polley felt ‘strange’ and ‘surreal’ about the recognition the $4.5 million production has received.

Of course she was delighted with Christie’s win, she also added:

“If there’s any note of reluctance on my part – of not enjoying all of this fully – is that Gordon’s performance is also stunning … and I just don’t want his work in the film to be undervalued.”

Ooh…it’s satisfying seeing the humble exalted…To both Julie Christie and Sarah Polley, Congratulations! I hope to see more nominations and awards coming your way at the Oscars.  

2008 Golden Globe Nominations

The list is out, and the winner is….

James Schamus, CEO of Focus Features, distributor of the film Atonement, which claimed 7 Golden Globe nominations. Schamus has been riding high on his winning streak with Lust Caution, which he co-wrote and executive produced. Director Ang Lee’s Lust Caution recently garnered 7 Golden Horse Awards in his native Taiwan, after snatching many other film awards including the Golden Lion at the Venice Film Festival earlier this year.  The movie also got the nod from the Golden Globe for a Best Foreign Film nomination.

That’s the glamour of winning (being nominated in 7 Golden Globe categories is already a win).   Such is the licence to bask in the recognition, the exposure, the praises, the esteem-boosting limelight and afterglow in the movie business, no wonder Schamus said, “I’m back from Taipei and I’m on such a high.” 

 And in another corner, I see another film quietly being recognized, receiving one acknowledgement.  Julie Christie is nominated for her role in Away From Her.  That’s the sole recognition of this Canadian film by the Hollywood Foreign Press Association at the Golden Globes.  I can see film director Sarah Polley quietly pleased, for I think she knows but is too modest to admit that it takes an inspiring and talented director to bring out the acting best from her actors.  That at 28, she could work well with the reclusive and iconic Julie Christie, and Canadian veteran actor Gordon Pinsent speaks volume to her maturity and skills.

Recently honored by the New York Critics Circle with their Best First Film Award, as well as the Los Angeles Film Critics Association’s New Generation Award, Sarah Polley once said during an interview:

“I don’t’ think that there’s any chance that I would get nominated. I mean I really hope that the actors have a shot at it …it would be such a dream come true if they were acknowledged…”

Such gracious words from a 28 year-old just serve to prove that it doesn’t need a Golden nod to have a golden future. Be prepared, Sarah, to see many dreams come true.

Away From Her

away-from-her

Update Jan. 28, 2008:  Julie Christie has just won the Screen Actors Guild’s Best Actress Award for her role in Away From Her.

Update Jan. 22, 2008: Julie Christie has just been nominated for a Best Actress Award and Sarah Polley for Best Adapted Screenplay in today’s Oscar Nominations announcement.

Away From Her (2006)–How can you make a good short story even better? … By turning it into a screenplay written by an equally sensitive and passionate writer, and then, through her own talented, interpretive eye, re-creates it into a visual narrative. Along the way, throw in a few veteran actors who are so passionate about what the script is trying to convey that they themselves embody the message. Such ‘coincidents’ are all happening in the movie Away From Her. Sarah Polley has made her directorial debut with a most impressive and memorable feat that I’m sure things will go even better down her career path. What she has composed on screen speaks much more poignantly than words on a page, calling forth sentiments that we didn’t even know we had. Julie Christie and Gordon Pinsent stir up thoughts in us that we’d rather bury: how much are we willing to give up for love, or, how would we face the imminence of our loved ones’ and our own mental and physical demise. Based on the story by Alice Munro, ‘The Bear Came Over the Mountain’, Polley brings out the theme of unconditional love not by your typical Hollywood’s hot, young, and sexy on screen, but aging actors in their 60’s and 70’s. It may not be as pleasurable to watch wrinkled faces hugging and kissing, or a man and a woman in bed, bearing age spots and all, but such scenes effectively beg the question: why feel uncomfortable? Why does love has to be synonymous with youth, beauty, and romance? It is even more agonizing to watch how far Grant is willing to go solely for love of Fiona. Lucky for us, both writers spare us the truly painful at the end. It is through persistent, selfless giving that one ultimately receives; and however meager and fleeting that reward may seem, it is permanence in the eyes of love. And it is through the lucid vision of a youthful, 28-year-old writer/director, that such ageless love is vividly portrayed….Oh, the paradoxes in life.

~~~ 3 Ripples

(Photo Source: Guardian.co.uk)