Pride and Prejudice (Part 3): Ideals Universally Acknowledged

I have watched this miniseries countless times, but I still wanted to see it again last Sunday night, the finale of Pride and Prejudice (1995) on PBS’s Masterpiece. I knew I was partaking in a communal experience shared by kindred spirits across North America. Every time I watch it, I glean some new insights, and I cherish the story all over again.

This time, I look into the characters convinced that Jane Austen has depicted the ideal woman and the ideal man in Elizabeth Bennet and Fitzwilliam Darcy. Ideal, not perfect. While they have virtues of their own, they have character flaws that if remain unchecked and unaltered, could well lead to a downfall like a tragic hero. Elizabeth, biased by her confidence in her own judgment, initially found Darcy to be utterly despicable. And Darcy, acting according to his own hubris, only fuels the very prejudice held by the one he admires. In circumstances like this, the ideal scenario is for the characters to change, to transform themselves into a better person in order to earn requited love. And that is exactly what Austen has done, and I think it is one of the main reasons why we love her story. She has put together two flawed characters and placed them in an ideal scenario wherein they strive to improve themselves, and turned into a better person for the sake of the other…Well, maybe more on the part of Darcy, and we love him for that. I like the title Pride and Prejudice more than Jane’s original First Impressions. It gives a bit more depth and sets readers out searching for the universal shortfall in us all. Often our own prejudgment and overconfidence in our myopic view confine us squarely inside the box, unable to see the world beyond.

The portrayal of such transformation is vividly and sensitively acted in the miniseries. Colin Firth and Jennifer Ehle effectively help us envision such an ideal scenario, satisfying our quest for the good, the wholesome, universal ideal of love hidden in us all. Kudos to Andrew Davis. I think he has written an ideal screen adaptation of Austen’s novel. Because of its loyalty to the original and still keeping the integrity of the work even when Davis presents to us imagined visions arise from his own interpretation, I believe this miniseries is the definitive version of Pride and Prejudice on screen.

Again, I have several favorite scenes. Which heart will not melt by that burning gaze of Darcy ardently holding Elizabeth as she rescues his disturbed sister in Pemberley upon the malicious mention of the name Wickham by Ms. Bingley? (BTW, this is Andrew Davis’ favorite scene in all of his Austen adaptations!) Who will not rejoice in Elizabeth’s assertive and eloquent rebuttal against the diatribe of Lady Catherine de Bourgh, and her calm refusal to promise never to enter into any engagement with Darcy? Whose heart will not stir as a restrained yet passionate Darcy extends his second marriage proposal to Elizabeth?

Elizabeth has demonstrated time and again that she has the autonomy to make her own choices, yet Austen has also poignantly shown us that while Elizabeth can choose who to love, she cannot force the other to choose her, especially after her family’s reputation has been ruined by Lydia’s elopement. Darcy learns this lesson much earlier, in a most traumatic and humiliating manner, as he realizes that wealth and social standing, or even his own declaration of love cannot force another person to accept him. Here lies the paradox of love, one can choose who to love but cannot demand requited love. Choosing one’s love manifests the autonomy of self, but having to earn and wait for the other to choose you is a most humbling discipline. Maybe the ideal thing to do in such a circumstance is just to become a lovable person. That could well create the best chance of gaining love.

In the end, it is heart-warming to see both Darcy and Elizabeth, even having decided on each other, yet still quietly pines and waits for the other to declare his/her choice. A sense of uncertainty is what keeps us humble and instills in us the virtue of hope.

“It taught me to hope as I had scarcely ever allowed myself to hope before.”

Knowing our innermost yearning, Jane Austen brings her characters together in the most humbling circumstance, with their mutual admission of wrongs and weaknesses while esteeming the other higher than him/herself, fulfilling the ideal state of love.

“Do not repeat what I said then…I have long been most heartily ashamed of it.”

“As a child… I was given good principles, but left to follow them in pride and conceit… and such I might still have been but for you, dearest, loveliest Elizabeth!”

Through such mutual respect and admiration, our beloved author delivers the ideal ending to the love story of two imperfect persons…and sets us up for another round of watching and reading.

The Ideal Ending

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Click to go back to Pride and Prejudice Part 1 and Part 2.

If you have enjoyed reading this article, you might like to click on “Jane Austen” in the category cloud on the side bar for more Austen articles here in Arti’s Ripple Effects.

Several of Arti’s articles have also been published in the Jane Austen Centre Online Magazine.  To read more about Jane and the Regency Period, just click on the link highlighted.

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Andrew Davies Interview

Thanks to a Jane Austen and film fan, I just received a link to an interview with Andrew Davis on CNN dot com.  Davis’ recent adaptation of Northanger Abbey (2007) will be shown as the second installment of Masterpiece Theatre’s “The Complete Jane Austen“, to be aired on PBS this Sunday, Feb. 20.

Master of screenplay adaptations of literary classics and especially Jane Austen’s works, Davis has some interesting views to share in this AP article entitled:  Sex, Class, and Exposing the Heart of Jane Austen.  Here’s the link:

 http://edition.cnn.com/2008/SHOWBIZ/TV/01/18/apontv.andrew.davies.ap/index.html

Enjoy!

To Read or Not To Read: A Personal Response

       

It looks like my last post has stirred up some ripples. I thank you all for your input to a very complex topic.  Your comments certainly make an interesting forum, where there’s the exchange of ideas and the sharing of opposing views.  That this is even possible is basically because we all read and write.  It’s not too late to thank our teachers for this.

Indeed, the issue of reading is a complicated one.  On the outset, and from your comments, we see aspects dealing with the skill, the form, and the content of reading.  While at the same time, underlying are the very values we hold towards this seemingly simple act: What is reading after all?  How should it be taught in our schools and transmitted (or not) in our homes?  And, what should the content be in order to classify the act as such?

As someone who has involved in literacy research, I have seen recent academic studies taken the perspective of re-defining reading and writing not as a skill but a social practice. Our values sustain the act, or transform it. As we see the ubiquitous usage of the internet and digital communication, we are witnessing the power of technology changing our social values, lifestyle, interests, and how we spend our time.

The NEA surely had the effects of our technological age in mind, thus, an update on the reading habits of Americans.  The last one they did was in 2004.  As with any survey, the NEA Study has its limitations and confined by its own perspective and contextual stance.  And, within the parameters of the present study, they did not go into details the causes, but they did present the correlations of variables.  The results can be considered as reflections of our contemporary society.  The correlations of factors and the implications of the findings are significant enough for us to ponder.  Again, you can download the 98-page report in pdf format here (3.32 MB).

I welcome the progress we have made in digital and internet technology, bringing the world closer at the twitch of our finger, feeding us with instant knowledge and information. I congratulate those who attempt to bring the world of print to their readers by more convenient modes of delivery, such as transmitting reading materials in digital mode, and others who attempt to attract young readers through the creation of new kinds of books, such as graphic novels and manga’s. 

And yet…I lament the erosion of a part of our culture and civilization, the form of reading and writing as we still know it.  I’m concerned about the gradual obliteration of the “classics”, or the dying of the literary form. I lament to see the decline of appreciation and comprehension of literature, for I believe the humanity and universality in many of these works still speak in our world today.  I believe there’s an urgent need to create even more literary works in the face of technological domination.  There may not be a golden age of reading, but there has been a heritage of writing.

I worry about our next generation replacing the art and pleasure of book reading with offerings from other media. I’m also concerned about the English language disintegrating into cyber lingos, or replaced by sensational, action-packed anime. It is a phenomenon graver than just seeing the puzzled faces of our young as they look at an analog clock or try to use a dial phone. 

The progress we have made in technology does not mean that we should downplay the loss of a heritage.  That we can artificially make ice should not trivialize the disappearance of glaciers. The ushering in of electronic music should not obliterate the works of Mozart.  The two can co-exist…isn’t that the postmodern promise? 

No doubt, reading and writing will survive, since we still need to look up information, make lists, chat on-line…and blog.  But I regret to see the erosion of literary reading and the appreciation of literature, classic or contemporary, and may it not come to pass, the termination of its creation in the future, near or distant.

As another year draws to a close,  we may need to take stock of both our progress and our loss.  I’m not a doomsayer, but surveys like the NEA’s point to what seems like an irreversible trend.  While some may not see it as a gloomy path but just a shift of social practices and lifestyle, the survey results reflect our priorities and the shifting values in this day and age. 

Or, is it really irreversible? 

Maybe all is not lost.  At the start of a new year, I’d like to remain optimistic.  Maybe it begins with…yes, a New Year’s resolution on reading… 

A Happy New Year to All!

To Read or Not To Read

To Read or Not To Read: A Question of National Consequence…That is the name of the recent study conducted by the National Endowment for the Arts on reading habits in America.  Just as I was writing about the study in the UK on re-reading in my post Reading and Re-reading, regretting no such kind of surveys being done in North America, and here it is, the NEA’s reading survey results, incidentally, released the same day I published my post. 

Well, maybe I should not be so much of lamenting the lack of reading surveys than the actual survey results.  In a nutshell, the major findings are:

  • Americans are reading less, especially the young.  For example, the percent of non-readers among 17 year-olds doubled to almost 20% in the last two decades.  Or, on the average, 15 – 24 year-olds spend 7 minutes reading on a weekday, 25 – 34 year-olds are slightly better, 9 minutes.
  • Reading comprehension is on the decline, as indicated by reading scores.
  • The decline in reading has civic, social, and economic implications.

The whole 98-page report can be downloaded in pdf format here.  It is not Stephen King material, but just the same…interesting reading with an ominous undertone.  It covers various topics including correlations between pleasure reading and academic scores, reading habits, reading and multitasking, employment, internet and digital technology, the relevance of newspaper, and yes, even blogging.

I understand that the issue is complicated and the causes are complex.  Critics are quick to point out that the form and purpose of reading have changed in this internet driven age.  People still read to look up information they need, critics argue.

Maybe the concern should be the gradual extinction of literary reading, the reading of literature for pleasure, and the whole business of reading and writing.  When the figure shows that 63% of college seniors read little or nothing for pleasure, even the pragmatists should be worried when they consider the bottom line.