Oscars 2011 – Ripple Effects

Oscar Winners 2011

The beginning clip was an interesting opening, with Anne Hathaway and James Franco appearing in all the nominated Best Pictures. After that, what was promoted as an Oscars with the youngest co-hosts to bring about a youthful makeover had shown to be one of the most uneventful, ok, boring, in years. The preview videos of James Franco and Anne Hathaway rehearsing were much livelier than their actual act. Franco looked like he had a term paper due the next day… or was the deadpan, sleepy look a part of the performance. If it was, then he had chosen the wrong mask. I must give credits to Hathaway for trying to compensate with so much enthusiasm. When Kirk Douglas, Robert Downey Jr. and Jude Law came up to present, and later, previous Oscar host Billy Crystal made his appearance, I could see some wisdom in ‘age before beauty’. Hopefully a lesson learned: Avoid the trap of ageism.

(Photo Source: Toronto Sun)

So here are the major results. For a full list CLICK HERE to the Oscars Official Site.

The King’s Speech: Best Picture, Best Director Tom Hooper, Best Actor Colin Firth, Best Original Screenplay David Seidler.

The Social Network: Best Adapted Screenplay Aaron Sorkin, Best editing, Best Original Score.

Black Swan: Best Actress Natalie Portman

The Fighter: Best Supporting Actor Christian Bale, Best Supporting Actress Melissa Leo

Inception: Best Cinematography, Best Sound Editing, Best Sound Mixing, Best Visual Effects

Toy Story 3: Best Animated Feature

Inside Job: Best Documentary Feature

(Photo Credit: Reuters/Gary Hershom)

All the best speeches came from The King’s Speech gang.

David Seidler At 73, Seidler’s win is an inspiration:

“I say this on behalf of all the stutterers in the world. We have a voice. We have been heard… My father always said to me I’d be a late bloomer. I believe I’m the oldest person to win this award. I hope that record is broken quickly and often.”

Definitely a boost to all would-be late bloomers in the world… just gives us hope.

CLICK HERE to view David Seidler’s Oscar Acceptance Speech.

Tom Hooper

“My mum was invited to a fringe theater play reading of an unproduced, unrehearsed play called The King’s Speech in 2007. She almost didn’t go. But thank God she did, because she came home, rang me up and said, ‘Tom, I think I found your next movie.’ So with this tonight, I honour you. And the moral of the story is: listen to your mother.”

Colin Firth

“I have a feeling my career’s just peaked.”

That’s the beginning of a speech expressing gratitude to many, all from memory, no cheat sheet. Those mentioned included:

“… Harvey (Weinstein, producer) who first took me on 20 years ago when I was a mere child sensation … and Livia, for putting up with my fleeting delusions as royalty…”

You must see it if you’ve missed it. For those of us who were glued to the TV screen the last 10 minutes of the Awards Show last night, CLICK HERE to watch Colin Firth’s Oscar Acceptance Speech again.

***

Big Movies, small films

‘Big’ and ‘small’ are relative terms.

According to Box Office Mojo, the production budgets for this year’s Oscar Best Picture nominees are as follows (in million of dollars):

Toy Story 3: 200

Inception: 160

The Social Network: 40

True Grit: 38

The Fighter: 25

127 Hours: 18

The King’s Speech: 15

The Black Swan: 13

The Kids Are All Right: 4

Winter’s Bone: 2

Strange that we call some motion pictures ‘movies’, and others ‘films’. Other than the generic meaning which is used interchangeably, they sometimes denote certain inherent differences. The money that goes into making them just might be a factor: The higher the cost, the more likely it’s a movie… the lower, a film. A movie is likely a Hollywood studio production, with better-known stars, big budget marketing, and aims at popularity among a wider spectrum of viewers. A film is more or less associated with indie, art-house, and caters to a much smaller range of audience.

Such was the dichotomy between last year’s Oscars’ David and Goliath scenario: Avatar and The Hurt Locker. And I was glad to see the little guy win.

But this year is a bit different. Many of the Best Picture nominees are small budget productions. They draw big buzz because of the pictures themselves, the quality of their productions, their subject matter, and the characters that drive the story. They all depict little persons achieving big, however reluctantly.

Here’s a small glimpse of what’s big in some of these stories:

127 Hours: The real life, harrowing ordeal of Aron Ralston, who is caught in a small crack of a big boulder and how he used a penknife to cut his arm off to free himself. James Franco nominated for Best Actor.

True Grit: A small, 14 year-old girl by sheer guts and determination, ventures out in the big, wild West to seek justice for her father’s death. Newcomer Hailee Steinfeld nominated for Best Supporting Actress.

Winter’s Bone: A teenaged Ozark Mountain girl trying to keep her family intact in utter poverty, and save the shack they call home by finding her father who has fled bail for drug dealing, an act that threatens the big crystal meth economy of the area. 20 year-old Jennifer Lawrence nominated for Best Actress.

The Fighter: A down and out boxer with a small name like Micky Ward from a dysfunctional home in a drug-infested neighbourhood bounces back to win the WBU champion.

The Social Network: A college student called Mark Zuckerberg in his little dorm room launching a big business by changing the way people in the whole wide world connect and socialize. Jesse Eisenberg nominated for Best Actor.

The King’s Speech: A big role of a king being filled by a small, shy man hampered by a debilitating stammer big as cancer. It could be all psychological, sure, that’s why it’s insurmountable… and overcoming it takes big courage. Colin Firth nominated for Best Actor.

A small person overcoming big obstacles one small step at a time always makes a good story. It is so with the little character, true also with the little film.

Oscar Nominations 2011

Here are the ten movies you might like to watch before the 83rd Academy Awards on Feb. 27:

Best Picture Nominees:

Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

For a complete list of nominees and to watch the announcement from this morning in case you missed it at 5:30 am (PT) or 8:30 am (ET), CLICK HERE.

The nominations count are as follows: King’s Speech = 12, True Grit = 10, Social Network = 8, Inception = 8, The Fighter = 7, 127 Hours = 6

The King leads the pack. A royal flush they say, hope that’s the hand on Oscar night. Colin Firth, Helena Bonham Carter, Geoffrey Rush, and director Tom Hooper all get nods. Other categories include Art Direction, Cinematography, Costume Design, Editing, Original Score, Sound Mixing, Screenplay. To read my review of The King’s Speech, CLICK HERE.

The surprise here is True Grit. The Coen brothers’ film got snubbed at the Golden Globes and comes back with a vengeance. Two years in a row they get the nod for Best Picture, after last year’s A Serious Man (my review here). True Grit is a remake of the 1969 Western for which John Wayne got his Oscar. Here we have a distinct Coen style film with smart dialogues and great acting. “Nothing is free except the grace of God,” the beginning voice-over says, matched with the tune of the old hymn ‘Leaning on the Ever Lasting Arms’… I was amused to see how these two notions echo at the end of the film. At 13, Hailee Steinfeld beat out 15,000 other girls in the audition to get the role of tough and articulate Mattie Ross, seeking justice for her daddy’s death. Now one year later, she has landed at the Oscars. Amazing. Also, Jeff Bridges gets the nom again, after snatching the Best Actor Oscar from Colin Firth last year. It’s interesting to note that, while Colin Firth can act with half a voice, Jeff Bridges here shows us he can act with just one eye.

I’m excited to see Mike Leigh finally getting recognition for his poignant original screenplay for Another Year. Unfortunately, the film does not get any more Oscar nods. Veteran British actors Jim Broadbent, Ruth Sheen, and Lesley Manville give a performance of deep resonance. Lesley Manville is no less deserving than anyone on the list of Best Actress nominees. This is one of the most neglected movies of 2010. I saw it at the Calgary Film Festivals last year. I know some cities are just showing it now. Don’t miss it. CLICK HERE to read my review.

Toy Story 3. The animated feature that gets into the major league, following the only two other animations ever to be nominated in a Best Motion Picture category, Up (2009) and Beauty and the Beast (1991). The theme of growing up and parting with your beloved and familiar finds its way into a touching animation that may well appeal to parents more than kids. The idea of a child leaving home for college has been used in several movies in recent years, most notably, The Blind Side (2009) and The Kids Are All Right (2010). I’ve watched all of this year’s ten Best Picture nominees. But, don’t laugh, Toy Story 3 was the only time I’d shed a few tears.

For Best Documentary Feature, I’m glad to see our notorious graffiti artist Banksy’s film Exit Through the Gift Shop has not evaded the Academy. To read my review CLICK HERE.

The Academy Awards will take place on Sunday, Feb. 27. This time Anne Hathaway and James Franco (a Best Actor nominee himself for 127 Hours), the youngest of Oscar hosts, are set to offer a fresh new look. Hathaway had proven her versatility dancing and singing with Hugh Jackman two Oscars ago, and Franco has been hailed as the new Renaissance Man… Just hope they will live up to expectations.