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From high art in the gallery (my last post) to street art, here catching the last chance for a Paris in July entry, I’m presenting the fascinating documentary, a road movie of making art in the open milieu of villages and among the working populace. Faces Places (2017) is an account of the venerable auteur of the Nouvelle Vague (The French New Wave: Goddard, Truffaut…) Agnès Varda (1928-2019), then at 89, going on a road trip with photographer and artist JR to scout for ordinary people to photograph in various obscure locales in France.

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Their larger than life photo prints are then pasted onto buildings or open places for everyone to view, evoking the shared joy of living, working, and the collective memory of a meaningful past. Like this one with photos of pioneer miners pasted on a row of dilapidated homes slated for demolition in a miners’ community. The one remaining homeowner who refused to vacate her house was moved to tears upon seeing the completion of the project.

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Art undefined and unconfined, once pasted onto these surfaces, JR’s black-and-white photographic images convert the whole building or structure into an art form. The world is his canvas. Unlike Banksy, JR is transparent with his creative process, and lets the public view his work in progress. A TED Prize winner (2011), his large-scale, participatory art projects are installed all over the world, albeit sometimes illegally according to local laws, but the people welcomed him.

At age 89, Agnès Varda became the oldest nominee in Oscar history when Faces Places was nominated for Best Documentary for the 2018 Academy Awards. It’s now on DVD and Blu-ray. Her numerous older works may not be accessible for us so readily. Check your streaming or on demand services. I was able to watch two of her excellent films Vagabond (1985) and Cleo from 5 to 7 (1962, click on link to my review). Don’t miss this short clip on IMDb “Agnès Varda in Memoriam”.

The soul-stirring original music by Matthieu Chedid complement the meaningful duo collaboration. At the beginning, JR talks with Varda to organize the making of their joint project. We see them exchange the following dialogues:

AV:  What I like was meeting amazing people by chance.

JR:  So you want to carry on that way, with no plan or itinerary?

AV:  Yes. Chance has always been my best assistant.

JR:  Do you think chance will work for both of us?

AV:  Maybe.

From the film, we can see chance had worked for both of them marvellously.

 

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~ ~ ~ ~ Ripples

 

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Paris in July is hosted by Tamara at Thyme for Tea

PIJ2019 Tamara

Other Paris in July 2019 Posts on Ripples:

Pictures at an Exhibition 

‘Coco Before Chanel’ directed by Anne Fontaine

‘Gemma Bovery’ to cool your summer day

‘A Sunday in the Country’ is an Impressionist Cinematic Painting