Top Ripples of 2019 and the Decade

Best of the decade lists have been sprouting up everywhere now that we’re wrapping up  the second ten years of the 21st century. As Ripple Effects has been around for over 12 years now, I too have the privilege to post my own decade favourites, with links to my reviews. A disclaimer is, obviously, I can only rate films that I’ve seen. For 2019, I’ve yet to see 1917 and Bombshell.

But first off, before looking back to the decade, here’s the list of

Top Ripples of 2019:

  1. Little Women
  2. A Hidden Life
  3. Varda by Agnès
  4. An Elephant Sitting Still
  5. Pain and Glory
  6. The Farewell
  7. Parasite
  8. Marriage Story
  9. American Factory
  10. Rocks

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Top Ripples of the Decade:

  1.  The Tree of Life (2011) –– Director Terrence Malick’s visual treatise on life, death, and everything in between… and after.
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  2.  Roma (2018) –– Nothing’s too mundane for a filmmaker, especially with childhood memory. Mexican director Alfonso Cuarón’s autobiographical work that won him 3 Oscars, Best Directing, Cinematography, and Best Foreign Language Film.
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  3.  Ida (2013) –– Polish-born director Pawel Pawlikowski’s gripping depiction of a young woman’s choice of the sacred or the secular.
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  4.  An Elephant Sitting Still (2018) –– A last outcry of a young talent, the first and last masterpiece of Chinese writer/director Hu Bo who took his own life after making the film at age 29.
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  5. Little Women (2019) –– No matter what your previously held memory of the adaptation of Louisa May Alcott’s classic is, Greta Gerwig’s 2019 rendition is worthy to be the definitive version from now on as we head into the third decade of the 21st century. Surely lots have to be left out in a 2 hr. movie; take it as a good prod to go read the book.
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  6.  A Hidden Life (2019) –– Austrian farmer Franz Jägerstätter gave up everything to stand by his conviction, refusing to take the oath of loyalty to Hitler. Terrence Malick’s newest film is a meditation on the meaning of life, and death.
    .
  7.  Silence (2016) –– Martin Scorsese’s epic adaptation of Japanese author Shusaku Endo’s novel, a harsh and audacious look at the persecution of Christianity during 1600’s Japan. Similar to Malick’s A Hidden Life but depicts a totally different choice and outcome for its protagonist.
    .
  8.  Clouds of Sils Maria (2014) –– French director Olivier Assayas’s mesmerizing tale of being famous, ageing, becoming obsolete, and the young rising. Juliet Binoche and Kristen Stewart offer interesting interplay, but it’s Stewart who stands out.
    .
  9.  12 Years A Slave (2013) –– Two Brits takes over the American story: Director Steve McQueen and actor Chiwetel Ejiofor who plays Solomon Northup. I wrote this in my review: the subject matter may be ugly, but the medium depicting it can be artistically gratifying, thus, conveying the message with even greater potency and inspiration.
    .
  10.  Certain Women (2016) –– Director Kelly Reichardt has chosen three short stories by Maile Meloy to form a cinematic triptych. The seemingly mundaneness of life is actually the very essence of it. The women are what make this film quietly impressive: Laura Dern, Michelle Williams, Lily Gladstone, Kristin Stewart.
    .
  11. Pain and Glory (2019) –– “The child is father of the man”, iconic Spanish filmmaker Pedro Almodóvar’s autobiographical sketch of his childhood, later life and career up to this point. Beautifully shot, a film for artists.
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  12. The Farewell (2019) –– Chinese American director Lulu Wang has put her family story on screen and captured the hearts of many, making Awkwafina the rising star this awards season. To tell, or not to tell, that is the question… and the answer is obvious depending on where you’re from.
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  13. Faces Places (2017) –– Agnes Varda at 89 goes on a road trip with photographer/artist JR, adorning dilapidated buildings and unlikely places with human portraits larger than life.
    .
  14. The Rider (2017) –– Chinese-American Chloé Zhao tells the rarely told story of a modern day cowboy’s existential crisis after he suffers a debilitating head injury. How she tells it is poetry on screen.
    .
  15. Arrival (2016) –– Admirable collaboration: French Canadian director Denis Villeneuve’s adapts Chinese American sci-fi writer Ted Chiang’s short story “Story of Your Life”, rendered with sensitive performance by Amy Adams. A film packed full of ideas, condensed sentiments, yes, like poetry.
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  16. Frances Ha (2012) –– Noah Baumbach has created a character that’s a perfect fit for partner Greta Gerwig, an aspiring dancer trying to find her place in NYC. The scene of Frances running and dancing through the streets of NYC has become an archetype for freedom and exuberance. (Look for it at the beginning of Little Women)
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  17. Varda by Agnes (2019) – The only female director of the French New Wave, Agnes Varda had left us with an inspiring legacy. This is her summing up, her last work wherein she went through every film she’d made, commenting with valuable insights and wisdom.
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  18. Our Little Sister (2015) –– I’ve to say this could well be my favourite Hirokazu Kore-eda movie. Koreeda is a master in filming family relationships, reminiscent of Ozu but with contemporary scenarios. This is a heartwarming film for the unhurried heart to savour.
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  19. Life of Pi (2012) –– What Canadian author Yann Martel has succeeded in literary form, Ang Lee has realized in this visually stunning cinematic offering, filming what is considered the ‘unfilmable’. Aligned with its magical realism, Lee ventured into flashy 3D.
    .
  20. The Past (2013) –– Iranian Director Asghar Farhadi elicited some amazing
    performance with this absorbing story. The film came out two years after A Separation, his Oscar winning film. I’d enjoyed The Past more.
    .

 

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Other Top Ripples not on the above lists can be found on the sidebar. Click on the image to read my review.

 

 

 

 

Published by

Arti

If she’s not birding by the Pond, Arti’s likely watching a movie, reading, or writing a review. Creator of Ripple Effects, bylines in Asian American Press, Vague Visages, Curator Magazine.

8 thoughts on “Top Ripples of 2019 and the Decade”

  1. I honestly didn’t remember some of these were in this decade and many I haven’t seen. But I loved seeing Little Women made both lists! I loved Clouds of Sils Maria too and was glad to see that one there. But I still can’t get into Tree of Life!

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    1. Jeanie,

      A few of these I think you’ll really enjoy: Varda’s Faces Places, Frances Ha, Pain and Glory (very artistically rendered), and Marriage Story. Have a Happy New Decade creating art and enjoying movies!

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  2. I got into Varda films through Curzon, they are beautiful, and she was a beautiful person. I saw Ida randomly in the cinema with a friend and that definitely stayed with me. I think I prefer Shoplifters to Our Little Sister, that was a stand out film for me. Roma I did find the sea scene unconvincing but the rest of it was beautiful. An elephant I didn’t quite finish before the rental ran out, it was so long, I’d find it difficult to recommend because of the length. The Farewell I still can’t find! And Little Women I am waiting to come out on streaming. Great choices!

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    1. Denise,

      I thought of Shoplifters too and it certainly had a higher international profile, winning the Palme d’Or and all, it’s a ‘bigger’ movie certainly, but I decided on Our Little Sister for its emotional impact on me, and that youngest sister just stands to appeal with her deep emotional restraints. Very sensitive and nuanced performance. Very subjective I know. Roma I can relate for we used to have nannies bringing us up (that’s in HK) and I’ve grown very attached to mine. Went back to visit her earlier this year, she was 97 then; glad I did that, for she passed away a month ago. Elephant is long for commercial consumption, but if that’s the cry of a desperate and talented soul in a callous country, I was willing to sit through; it didn’t feel so long when I watched it. The Farewell hope you’ll get to see it one day. Little Women is in the UK now opening Dec. 26, according to IMDb. And Varda, we can always go back to savour her works. Varda by Agnes is a good wrap and summing up.

      Thanks for visiting the Pond all these years and throwing in your pebbles. Have enjoyed our exchanges and sharing of views. Have a wonderful new decade of film watching!

      Like

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