The Toronto International Film Festival (Sept. 8 – 18) is just a week away. While many movie fans will be charging up their cell phones to catch some pics or selfies with the stars on the red carpet, Arti here at the Pond is interested in spotting the film adaptations of books, or those with literary interest.
This is a photo of the Toronto skyline from Lake Ontario on a hazy morning. Arti took the pic during TIFF14 two years ago. Yes, she’s heading there soon for TIFF16. So stay tuned for future posts.

Here’s a list of some literary titles at TIFF16:
A Quiet Passion
Not based on a book but no short of literary interest. This is a cinematic biopic of the American poet Emily Dickinson. What’s more, it’s a new film written and directed by the venerable English auteur Terence Davis, who brought us such acclaimed works as Sunset Song (2015), The Deep Blue Sea (2011), and The House of Mirth (2000). Cynthia Nixon plays Emily Dickinson, with Jennifer Ehle as her sister Vinnie. Yes, that Jennifer Ehle. Love to see her in another period role but I know, hard to be rid of the Lizzy Bennet image.
American Pastoral
Philip Roth actually has two movie adaptations of his books coming out this fall. One is Indignation (2008). The other is American Pastoral (1997), which won him a Pulitzer and was considered a seminal work in his oeuvre. Roth later won the Man Booker International Prize in 2011. The prolific author has long been regarded as the astute depicter of the 20th C. Northeastern Jewish-American psyche. Interesting fact of this adaptation is that it’s the directorial debut of Scottish actor Ewan McGregor, who will also take up the role of Roth’s famous character Seymour ‘Swede’ Levov. How well can he pull it off? Dakota Fanning and Jennifer Connelly co-star.
Julieta
Based on three short stories by Alice Munro, Canada’s first Nobel Laureate in Literature (2013). Juliet is the protagonist of “Chance”, “Soon”, and “Silence”, from Munro’s 2004 volume Runaway. So why the name Julieta? Well, these stories are being transported from a Canadian setting into Spain. The film is helmed by director Pedro Almodóvar, who is described as “the most internationally acclaimed Spanish filmmaker since Luis Buñuel” (IMDb). Almodóvar won an Oscar for his writing/original screenplay with “Talk To Her” (2002). Hopefully this adaptation is worthy of Munro’s source material. I’m curious to see how a totally Canadian story is transplanted into a Euro-Spanish milieu.
Certain Women
Another film adaptation based on short stories, this one by author Maile Meloy, from her book Both Ways is the Only Way I Want It (2009). The adaptation tells the story of three women and boasts a high calibre cast with Kristen Stewart, Michelle Williams, and Laura Dern. It is helmed by Kelly Reichardt who had directed Michelle Williams in Wendy and Lucy (2008) to critical acclaims. Last I read is that some elements of the stories had been altered to appeal to a contemporary audience.
Paterson
This 2016 Cannes Film Festival Palme d’Or nominee explores an interesting concept: A bus driver by day, a poet by night in Paterson, New Jersey. Can’t find a better named actor than Adam Driver to take up this unique dual occupational role. Writer/director Jim Jarmusch takes the helm. No stranger to Cannes, Jarmusch’s Broken Flowers (2005, remember Bill Murray?) won the Cannes Grand Prize of the Jury in 2005. The director’s versatility has brought us very different kinds of works throughout his career.
The Salesman
Since the 1990’s, several Iranian film directors have gained high praises internationally for their cinematic works. The recent death of Abbas Kiarostami is a loss on a grand scale for film art. Another distinctive figure is his younger friend and compatriot Asghar Farhadi, whose A Separation is the first Iranian film to win an Oscar (Best Foreign Language Film, 2012). After that Farhadi crafted another multiple-award-winner The Past (2013). This year he brings us The Salesman. The name is a big hint of its literary affiliation. The story is about the disintegration of a marriage as a couple perform Arthur Miller’s play Death of a Salesman as Willy and Linda Loman. Life imitates art, or vice versa? Farhadi is a master of probing conflicts in domestic relationships. At Cannes earlier this year, The Salesman won Farhadi the Best Screenplay and Shahab Hosseini the Best Actor award.
The Secret Scripture
After a long wait, and a change in the cast, the film adaptation of Irish writer Sebastian Barry’s Booker shortlisted work is finally completed. In the book, the narrator is a 100 year-old mental hospital patient recalling her life. The old and her younger self are played by Vanessa Redgrave and Rooney Mara respectively. The director is Jim Sheridan, the six-times Oscar nominee who introduced us to Daniel Day-Lewis with the excellent productions of My Left Foot: The Story of Christy Brown (1989) and later In the Name of the Father (1993).
Unless
Born in Oak Park, Illinois in 1935 and after her marriage became a Canadian citizen in 1971, Carol Shields received honours from both countries and internationally as well. The Stone Diaries won the Pulitzer in 1993, among many other accolades, while Unless (2002) was shortlisted for the Booker Prize. Here’s the intriguing tale of Unless: a mother one day finds her runaway daughter living on the street and mute. Oscar nominated Catherine Keener plays the mother Reta Winter. Downton Abbey fans should note, Mr. Bates Brendan Coyle also stars.
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This enticingly thin paperback has been sitting on the shelf quietly for years. I’ve long wanted to read it although I’d no idea what it was about, one of the hand-me-downs from my son’s college reads. Now that I’ve started it, I know this one’s going to be a slow cook. Even though just 217 pages, I know I can’t rush it. Exactly as the title denotes, the book is about one painting,
First published in Germany, now an international bestseller, The Little Paris Bookshop is a barge floating on the Seine River in Paris. Monsieur Perdu, the ‘Literary Apothecary’, is the owner. Now this is an interesting concept. M. Perdu prescribes books for any ailment his customers happen to be afflicted with. Bibliotherapy if you will. Not a bad idea. He has a book suggestion for everyone he encounters, so a clever way for German author Nina George to weave in her views on various literary works, her salutation to literature and reading. But of course, George isn’t just leading a book club discussion but telling a story. So she deftly brings us to learn more about M. Perdu’s past. While well-versed in bibliotherapy, M. Perdu has a wound that’s deep and sore, for he’s a victim of a lost love. Can the Apothecary heal himself? All signs point to a heartening, summer read.
This one beats all my current reads in capturing my attention and interest. The contemporary composer Philip Glass (born 1937) is renowned as a ‘minimalist’ in his musical style, a label he frowns upon. Now about a quarter into Glass’s memoir, so mainly about his early life and the start of a career, I find what’s minimal is only the physical materials of life, the lack of money to pursue his dream. As for passion and talents, Glass is endowed with abundance, and the artistic milieu in which he immersed himself is astoundingly rich and fertile. Above all, the Bohemian living during his early days is idyllic. That’s why I’m mesmerized by his story, the pursuit of a dream driven by pure passion and inner drive.
I had listened to the audio book a few years back, and wanted to reread it right away, but didn’t. After that, I forgot about it. By chance I saw it in the
Barrows’ previous book is the wildly popular The Guernsey Literary and Potato Peel Pie Society published eight years ago. I’d enjoyed the lively characters in Guernsey amidst the troublesome setting of WWII, with the island occupied by German soldiers. Just curious to read children’s author Barrows’ first solo publication for adults. The Truth brings Barrows back to the home state of her aunt and primary writer of Guernsey, Mary Ann Shaffer, who died before completing the book. Family saga in small town West Virginia in 1938. If you’ve read this one, how is it compared with Guernsey? Should I even start it?
If I want a breezy summer beach read, maybe I should start with this one. But this too can wait. I got it mainly because of the future film adaptation. Sweeney’s debut work reportedly fetched a 7-figure advance from Ecco; not surprisingly, film rights were snatched up soon after. What should be noted is: by whom? Well, as evidence of the booming book/movie enterprise, Amazon Film it is, and Jill Soloway (Transparent) will direct. Note also, just saying, here’s a book with Amy Poehler’s endorsement on the cover. Have you read it? Are you looking forward to its movie adaptation?







