The Guernsey Literary and Potato Peel Pie Society

guernsey-literary-and-potato-peel-pie-society

“Reading good books ruins you for enjoying bad books.”

A novel in the form of letters?  I admit it wasn’t much of an appeal to me at first. After it has maintained its position on the New York Times Bestseller List for months, and now the trade paperback holding the first spot there, I just can’t resist anymore.

The book begins with a series of letters between a London writer Juliet Ashton and her friend and publisher Sydney Stark shortly after WWII.  Later, upon receiving a letter from Dawsey Adams, a resident of Guernsey of the Channel Islands, Juliet starts to correspond with the charming folks living there.

So how does the book title come about? Guernsey Island was occupied by the Germans during the war.   It happens that one night after a secret ‘pig out’, a few Guernsey residents are found breaking the curfew.  To find an excuse quickly when confronted by German soldiers, Elizabeth, our heroine, makes up the story that she and her fellow members have to leave a literary society meeting late as they’ve been so immersed in a German book.

This impromptu excuse soon takes shape in reality.  Thus begins the odyssey of reading, book discussions, and the members’ correspondences with Juliet Ashton.  Juliet is so immersed in their lives and moved by their situation that she later decides to go visit them, making the Guernsey Literary Society the subject of her next book.

Many of the letters are poignant descriptions of lives during the difficult war years.  The Guernsey residents have to suffer the searing pain of evacuating their own children to England for safety, seeing the young and healthy sent to war, finding others just disappear to concentration camps, and hearing eye witness accounts of heroic sacrifices for utter strangers. While all these years on the Island, they have to endure deprivation of food, basic necessities, and freedom. But the literary society meetings and the few reading materials in their possession remain their lifeline to humanity and dignified living.

“Everyone was sickly from so little nourishment and bleak from wondering if it would ever end.  We clung to books and to our friends; they reminded us that we had another part to us.”

Author Mary Ann Shaffer passed away in February 2008 and was succeeded by her niece Annie Barrows in finishing the novel.  In the Acknowledgment, Shaffer had written these words in December 2007:

“I hope, too, that my book will illuminate my belief that love of art — be it poetry, storytelling, painting, sculpture, or music — enables people to transcend any barrier man has yet devised.”

Despite the subject matter, readers will find the book witty and delightful.  Authors Shaffer and Barrows have depicted a myriad of lively characters, charmingly joined in their humanity by their strengths and weaknesses.  Yes, we can also visualize the madness of war. But we’re relieved to see too that people can weather hardship much better when they have a common bond, here, in the reading and sharing of fine literary works.  Mind you, these are not your academics and scholars.  The Guernsey residents are mainly pig farmers and vegetable growers.  As we read their letters, we soon see them as friends, Amelia, Dawsey, Isola, Eben, Eli, Elizabeth and little Kit…

And, am I such a Jane Austen fan that I’m seeing this:  Juliet Ashton (J.A.), Dawsey (Darcy), and Elizabeth, beloved heroine of all time.

What impresses me most is that the Guernsey Islanders are so willing to open their hearts and lives to writer Juliet, an absolute stranger, mainly because of their common love of the written words.  They find it an honor to be able to correspond with a real life writer, pouring their hearts out in respect and admiration, and quickly confiding in her.  A writer as a celebrity and friend?  It’s just fiction, you may say. But, why can’t it be real?

As for the art of letter writing, has it been lost as some have claimed, or has it merely been transformed into … yes, blogging, for example?  Because as I was reading the book, it flashed by me at times that I was reading some blog posts.  Are the writings that we post in the blogosphere a kind of open letter?  Our exchanges in the comment box our correspondences?  And, to push it a bit further, the telegram of old the early form of twitter?

The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows, Dial Press Trade Paperback Edition, 2009, 288 pages.

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Click here to go to the Guernsey Literary and Potato Peel Pie Society website.  As for the potato peel pie recipe, yes, at the Jane Austen Society of North America website.

Nocturnes: Five Stories of Music and Nightfall

NocturnesNocturnes is a recently published short stories collection by Kazuo Ishiguro, the Booker Prize winning author.  Like a song cycle, the five stories are arranged with a common motif, alas, the loss of romance.  They take place mainly in Europe, in some romantic settings, like Venice.  The cycle begins and ends there.  Music is the essential backdrop.  It is the common thread linking the various ways the characters attempt to salvage lost love and revive relation stalemates.

Nocturnes is a light read.  The theme could be dealt with seriously, but Ishiguro apparently tries a very different rendition.  I had expected him to depict dreamscapes as he had done with his previous works, such as The Unconsoled, or While We Were Orphans, but I had not expected laugh-out-loud, hilarious scenes.  Unlike the serious tone of The Remains of the Day, we see Ishiguro in a comedic styling.  And, despite the meditative title, it’s not the classical music of Chopin that he has invoked, but Broadway, jazz, Irving Berlin, Ray Charles, Sarah Vaughan, and yes, ABBA, just to name a few.

The quintet is composed of ‘Crooner’, ‘Come Rain or Come Shine’, ‘Malvern Hills’, ‘Nocturne’, and ‘Cellists’.   They touch on a basic question:  Is a marriage finished with the loss of romance?  Is revival even possible after lovers have fallen out of love?

Kazuo Ishiguro

‘Crooner’ is poignant in depicting a once hot, now aging American singer trying to offer a last bit of love to his wife before the inevitable end.

‘Malvern Hills’ has a similar story line, but carries additional sadness in that the dispassion extends to the couple’s only son.

‘Nocturne’ offers an interesting perspective on Beverly Hills’ image-driven quest of the rich and famous, and the up-and-coming. It offers some real fun and sardonic humor.

And ‘Cellists’, well, I really don’t know what to make of it, a story about a cellist who is not a cellist…

The most hilarious scene is in ‘Come Rain or Come Shine’.  In the story, the main character has to cover up a mistake he’s made with the excuse that ‘the dog did it’. So, it’s canine method acting that he has to  take up instantly.  It is in such incredulous scenarios that the dreamscapes of Ishiguro emerge.  But this time it is more like merging reality with comedy romp.

Considering the motif of this literary quintet, Ishiguro’s humorous and sometimes farcical way of dealing could well have offered his readers a fresh perspective on the subject matter.  While Nocturnes may be a good pick for a beach read, I admit that I miss the poignant and pensive mood of The Remains of the Day.  I wish too that Ishiguro would re-visit his previous style in his future work, for his writing can be most subtle and incisive, heart-wrenching without commotion.  I missed such tonal expressions here, and the resonance they could have evoked.

Nocturnes: Five Stories of Music and Nightfall by Kazuo Ishiguro, published by Alfred A. Knopf Canada, 2009, 221 pages.

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Photo credit: Jane Brown, www.list.co.uk/article/ 17435-kazuo-ishiguro/

Easy Virtue (2008)

Easy Virtue posterCan we all get along?  That poignant plea is ever applicable,  from L.A to all corners of the world, today or years past.   And when it comes to families, which one doesn’t have its ups and downs?  So, since the answer is obvious, might as well make comedies out of the situation.

Based on the play by Noel Coward, and lavishly adorned with his songs, credits to the Easy Virtue Orchestra, the film is otherwise re-written to appeal to a contemporary audience.

The story takes place some years after the First World War, in the 1920’s.   The eldest son of an English aristocratic family, John Whittaker (Ben Barnes, The Chronicles of Narnia: Prince Caspian), comes home from abroad and brings back his new wife Larita, a race car driver (Jessica Biel, The Illusionist).  What ensue are battles on the home front between the audacious new bride and the stuffy and snobby matriarch of the family, Mrs. Whittaker (Kristin Scott Thomas, I’ve Loved You So Long).  The main spark of their explosive confrontations:  Larita is American.  And Larita does not disappoint.  She is exactly what Mrs. Whittaler expects her to be, and some more:  a gale of forbidden ideas and scandalous history.  For her performance, Kristin Scott Thomas received two Best Actress nominations.

The most intriguing character is Mr. Whittaker, played by Colin Firth (When Did You Last See Your Father, The Girl With The Pearl Earring, Pride and Prejudice).  A veteran of the Great War, Mr. Whittaker is a disillusioned man, aloof, perceptive, and cynical all at the same time.   He is the only one in the family extending a welcoming hand to Larita, and stands by his new found comrade in the domestic clash of cultures.   The climax of the story comes near the end in an enthralling scene of the two tango dancing.  Naturally, what follows is just anti-climatic.

Easy Virtue 1

The Whittakers live in a humongous mansion on acres of lush grounds for generations, reminiscence of Darcy’s Pemberley (yes, Colin Firth again), and for Mrs. Whittaker especially, no short supplies of pride or prejudice.  Whether it’s intentional of the director or not, at one scene in the Whittakers ballroom, I see Darcy, poised and tall.  But director Stephan Elliott and co-writer Sheridan Jobbins are no Jane Austen.  This comedy of manners may appear to be a burlesque of the traditional upper-class English family, but it lacks the depth of characterization and cathartic effect of an Austen work.

And that’s alright.

Easy Virtue may be frothy, loud, and ephemeral, but it is effective in delivering some witty lines, great comedic timing, some cool cinematography, and fine performance not just from the main characters, but the supporting roles.  I must mention the butler Furber (Kris Marshall), and the two Whittaker sisters Hilda (Kimberley Nixon) and Marion (Katherine Parkinson).  They have added much delight to the film.  A fun ride all the way.

I have not seen Colin Firth and Kristin Scott Thomas together in a movie since The English Patient (1996).  And truth be told, they are the reason for me to see this one.

Easy Virtue is currently released on limited screens across North America.

~ ~ ~ Ripples

More Great Finds!

Call me greedy.  I’ m happy to take the blame.  Since this is the last weekend of the gigantic used book sale at the Crossroad Market, I just had to go again for more treasure hunting.  If you take a look at my second loot list below, you’d have done the same.  As the lady said when I was squeezing my way in,

“It was a zoo yesterday.”

“You came here yesterday too?”  I asked.

“Yeah, sure!”   (Subtext:  What a dumb question… and, why didn’t you?)

So, again, these are all trade paperbacks in mint condition.  They are all a dollar each (Canadian).

The Selected Stories of Mavis GallantThe Selected Stories of Mavis Gallant:   887 pages.  Having seen the video of Mavis Gallant reading in a Paris book shop and her conversation with Jhumpa Lahiri, thanks to fellow blogger oh introducing the Granta link, I was elated to find this volume.  It looked like it had not been opened, fresh, clean for the picking.

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The Complete Short Stories of Thomas Wolfe

Short stories, the more the merrier.  I was delighted to find this volume:  The Complete Short Stories of Thomas Wolfe, 621 pages.  I’ve long wanted to read Wolfe, now’s a good time.

 

 

 

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A Fine BalanceA lady held up a heavy box for me to take this one out underneath:  A Fine Balance by Canadian writer Rohinton Mistry.   “That’s a good pick,” she said.

“I’ve seen it many times, but think it’s too thick,”  I said.

“You wouldn’t want it to end,”  she said.    What higher recommendation can you get for a book?

 

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One Man's BibleOne Man’s Bible by Gao Xingjian, winner of the 2000 Nobel Prize for Literature, the first Chinese recipient of the Prize.  Born in China, Gao has been living in France since 1987.  The book is translated into English by Mabel Lee, associate professor of Chinese at the University of Sydney.  Interesting… although this one I can read the original,  the chance of me finding it in a farmers market here in Cowtown, Canada is not great.  I’ll settle for the translation.

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John AdamsI missed the Golden Globe winning TV miniseries.  So, grabbing the original material is just great.  David McCullough’s 721 pages John Adams won the 2002 Pulitzer Prize for biography.  This is a handsome movie-tie-in- cover edition with many color pictures.  What a find!

 

 

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The Radiant WayTalking about wonderful covers.  How about this one:  Margaret Drabble’s The Radiant Way.  I’ve never seen this edition of Drabble’s book.  A pleasure just to look at.

 

 

 

The Devil Wears PradaAnd what’s summer reading without beach reads.  Here’s my copy of The Devil Wears Prada by Lauren Weisberger.  Again, seldom do I see a trade paperback of this title.

 

 

 

 

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Here are the rest of  my 20 titles:

  • Digging to America by Anne Tyler
  • A Patchwork Planet byAnne Tyler
  • The Navigator of New York by Wayne Johnston (Giller and GG Finalist)
  • Larry’s Party by Carol Shields (Winner of 1998 Orange Prize and National Book Critics Circle Awards)
  • Fever Pitch by Nick Hornby (Saw the movie starring Colin Firth, quite liked it.)
  • The Book of Lost Things by John Connolly
  • The Reapers by John Connolly
  • The Lovely Bones by Alice Sebold (Just want to read it before the movie comes out.)
  • The Inheritance of Loss by Kiran Desai (Winner of the 2006 Man Booker Prize)
  • Durable Goods by Elizabeth Berg
  • The Gathering by Anne Enright (Winner of the 2007 Man Booker Prize)
  • Fall On Your Knees by Ann-Marie MacDonald
  • The Virgin Blue by Tracy Chevalier (Author of Girl With A Pearl Earring)
  • Bird by Bird:  Some Instructions on Writing and Life by Anne Lamott

It’s a tall order to read all the 40 books I hauled back these two weekends.  It’ll take me years.  But as any book lover can attest, it’s good to know they’re on my shelves.

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Summer Reading 2009

When does ‘regular reading’ end and ‘summer reading” begin?  Well this year it’s easy.  The gigantic used book sale I went to over the weekend and the loot I brought back make it official:  Let summer reading 2009 begin.

The treasures I found were trade paperbacks in like-new condition.  And because I had twenty, they cost me just one dollar each.  Right, that’s Canadian dollar, even a better bargain.  How I found them was an ordeal.  They were painstakingly selected under smoldering heat at a farmers’ market.  For two hours, I elbowed my way in to grab hold of my targets which I had to eye from a distance over heads and shoulders.  But it’s all worth it.

Here’s a picture and a list of the titles I brought back:

Used Book Sale Loot 1

  • The Corrections by Jonathan Franzen
  • Anna Karenina by Leo Tolstoy
  • Simple Recipes by Madeleine Thien
  • Desperate Characters by Paula Fox
  • Bloodletting & Miraculous Cures by Vincent Lam (Giller Prize Winner)
  • The Sea by John Banville (Man Booker Prize Winner)
  • Saturday by Ian McEwan
  • Goodbye, Columbus by Philip Roth
  • Daisy Miller by Henry James
  • The Stories of Edith Wharton selected by Anita Brookner
  • The Mapmaker’s Opera by Béa Gonzalez
  • Always Now The Collected Poetry of Margaret Avison
  • Breathing Lessons by Anne Tyler (Pulitzer Author)
  • The English Patient by Michael Ondaatje (Booker Prize Winner)
  • Marginalia: A Cultural Reader by Mark Kingwell
  • Rebecca by Daphne Du Maurier
  • A Natural History of the Senses by Diane Ackerman
  • Lost Souls by Lisa Jackson
  • Moral Disorder by Margaret Atwood
  • Exit Music by Ian Rankin

Some of these titles I’ve long wanted to read, like Goodbye, Columbus and Rebecca.   Some are just well known titles or authors that I think I should read, like Tolstoy, Franzen and Tyler.   Some are winners of book prizes that I usually enjoy, the Booker, Giller, Pulitzer.   Some are fine Canadian authors and one of my favorite poets.   And some I’m just curious about like A Natural History of the Senses.  But one stands out.  This time, I’m literally judging a book by its cover:

Front Cover Mapmaker's Opera

Back Cover Mapmaker's Opera

The above are the front and back cover of the book.  There’s no title, only on the spine.  It’s enjoyable just looking at it.  But the title is appealing too:  The Mapmaker’s Opera.

Together with the books I’m already reading, plus my long TBR list, I think I’m topped up till next summer.

For More Great Finds, Click Here.

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Of Film and Faith

Now, the reason to be… in Vancouver.   As I mentioned in a previous post, I was at Regent College for two weeks in May to learn the language of film, and its interface with elements of theology.  I came home much gratified.  I’ve delayed writing about the course per se because it would mean the difficult task of capturing the Genie of ideas back and recapping the bottle.  But I know I need to do it sooner or later, for I want to record down a learning experience that’s, well, let’s just say epiphany is not too far-fetched a word.  It could well be that the little I knew initially made it more gratifying as I could gobble up more to fill the empty vessel.

My thoughts are random here, but that might be the best way to capture whatever that comes to my mind that I think is important and meaningful.  Allow me to ruminate freely.

The language of film is multi-faceted, but it more or less can be condensed into the phrase mise-en-scène: what the director puts into the scene by means of setting, camera angle, lighting, staging, wardrobe, blocking… all the cinematic elements.     Like the artist of a painting, the director conveys his point of view and aesthetics through a frame or a scene.  And for us viewers, it’s a matter of honing the skill of observing the obvious, and the not-so-obvious.  Our pleasure is to decipher and savor that which is created on screen.   It all relates to the Auteur Theory, the director as the author, the concept of caméra-stylo, the camera as pen.

The power of the cinematic pen is mighty indeed.  Take the Disney movie Bambi for example.  The screening of Bambi resulted in a huge decrease of hunting licenses sold after it was released, and subsequently the term ‘Bambi Effect’ was coined.  Or, the movie Billy Elliot, which resulted in a significant increase in ballet school enrollment.

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Knowing the history of motion picture is essential to appreciate films, and this is the major emphasis of the course.  I’ve come to appreciate the pioneers of motion pictures whose works have become the exemplars and the artistic foundations of modern cinema: Vincente Minnelli, Preston Sturges, Charles Chaplin, Fritz Lang, John Ford, Orson Welles, Frank Capra…

Fjilm Noir Third Man Alley

Further, it’s most interesting to trace the influence of German expressionism has on Film Noir, how the idea behind Edvard Munch’s The Scream can effectively be transformed into cinematic expression, revealing the inner state of modern man.

Over the intensive two-weeks, we’d only have time to cover mostly black and white features, savoring their richness in techniques and their multi-layered meaning.  I’ve come to understand why the years 1930  to 1946 are called “The Golden Age of Cinema”.

And where does theology come in?  While knowing some Kierkegaard and Buber might help, but basically the content is very accessible.  Herein lies the ingenuity of the auteurs and their works.  The process of exploring the transcendent in the movies viewed by the populace is just fascinating.

Citizen Kane

I’ve learned how Citizen Kane (1941, produced when Orson Welles was just 24!), generally considered one of the best movies of all time, like the Vanitas still life of Vermeer’s time, expresses the theme of Ecclesiastes, and asks the question, “So one has gained the whole world, then what?”

Another theological element is the archetype of the Christ figure, and I’m surprised to find it quite prevalent in many of these early motion pictures.  I admit I’ve never watched a Charlie Chaplin movie in its entirety until now.  In The Kid (1921) and City Lights (1931), the savior figure is humorously portrayed in the story, and the concept of unconditional love warmly illustrated.

City Lights

This archetype also appears  in Frank Capra’s  Meet John Doe (1941), where a main character declares the universal significance of the first John Doe two thousand years ago dying for all John Doe’s.  Visually, I’ve learned to identify the Pietà and the crucifix image in the composition of a frame in several of the features, an example being How Green Was My Valley (1941, John Ford).

M by Fritz LangMotion pictures are an effective medium to convey the human condition.  In Fritz Lang’s thriller M (1931), the letter obviously refers to the murderer, a child killer that the whole town was after.  The not-so-obvious is the depiction of universal depravity, from the police to the masses, the message that we’re all complicit in the moral fabric of our society.  Similarly, Mel Gibson puts himself in his movie The Passion of the Christ (2004) as the Roman soldier nailing Christ on the cross.

Fast forward to the 80’s, I was introduced to the renowned Polish auteur Krzysztof Kieslowski.  It’s amazing how in Decalogue (1988), the essence of The Ten Commandments and their relevance in contemporary society are transformed into ten independent, one-hour stories and broadcast as a prime time TV series in Poland.  Decalogue is an artistically crafted and poignantly executed production that has won numerous international awards.  But would we see such kind of meaningful work as a prime time TV program here in North America?  The answer is obvious.

On the last day, I’d the chance to savor Babette’s Feast (1987), a highly acclaimed movie from Denmark (Oscar Best Foreign Language Film, 1988).  Based on a story by Isak Dinesen (Out of Africa), Babette’s Feast is a cinematic metaphor of goodness and freedom.  Its unique story and powerful visual images richly convey the theme of grace and mercy, and the liberating power of compassion.  The table prepared before us is free, sumptuous and abundant, but it takes an open heart of full acceptance and gratitude to fully enjoy it.  An inspiring film to wrap up my sojourn, creating resonance for the journey ahead.

Babette's Feast

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Inspired by Vermeer

I’m just having so much fun discovering the immense influence of Vermeer on his posterior that I must post some more.  Here are a few interesting samples that I’ve found.

Holland has long been renowned for its natural light, and Vermeer has long been credited with his keen sensitivity in capturing that.  Here’s his View of Delft (ca. 1660),  which Marcel Proust called “the most beautiful painting in the world”:

Vermeer View of Delft

Visiting the Netherlands in 1886, Claude Monet adopted Vermeer’s point of view in observing the light of Holland in his painting of tulip fields and a farmhouse near Leiden:

Monet Tulip Fields near Leiden, Netherlands

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Look at this famous Vermeer painting entitled Woman in Blue (ca. 1663):

Vermeer Woman in Blue

Van Gogh commented in 1888 on the exquisite artistry of Vermeer’s colors in the painting, “…blue, lemon-yellow, pearl-gray, black and white… the whole gamut of colors.”   He must have really liked Vermeer’s palette:

Van Gogh Self Portrait at Easel

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Vermeer loved his subjects by the window.  Here’s another well known painting Girl Reading A Letter At An Open Window (1658), and below, Salvador Dali’s parody, homage, to Vermeer’s signature pose entitled Disappearing Image (1938).  Like Hitchcock, Dali liked to put himself in the picture:

Vermeer Girl Reading A Letter By The Window

Dali The Image Disappears

Tom Hunter Woman Reading A Possession Order

Now here’s a more contemporary example.  UK artist Tom Hunter, the first photographer to have a one-man show at the National Gallery of London, won the Kobal Photographic Portrait Award in 1998 with this poignant picture of a squatter, entitled Woman Reading a Possession Letter:

How about this from American realist painter Edward Hopper, Morning Sun (1952):

Edward Hopper Morning Sun

(For more Edward Hopper, Click Here.)

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Director Peter Weir has created some ‘Vermeer scenes’ in his highly acclaimed 1985 movie ‘Witness’, with Harrison Ford and Kelly McGillis.  I can’t find pictures of the scene where the young Amish woman Rachel Lapp (McGillis) tending the wounded detective John Book (Ford) in the attic of her Amish house.  That is signature Vermeer.  But this one by the window can give you a glimpse.  Look at the contrast between the light and shadow on the two characters, the innocent and cloistered Rachel Lapp and the street-smart and gun wielding John Book:

Witness Harrison Ford and Kelly McGillis

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And last but not least, Vermeer’s inspiration on modern packaging and product design.  Click here to read more about it.

Vermeer inspired Dutch Chocolate Cream Liquer

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Related Posts:

Vermeer in Vancouver: Noticing the Obvious

Girl With A Pearl Earring

Edward Hopper, William Safire: The Visual and the Word.

Arles: In the Steps of Van Gogh

The Letters of Van Gogh

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Sources and links:  All Vermeer paintings, Click here to go to Essential VermeerClick here to Tom Hunter Website. Click here to Webmuseum for Edward Hopper. Click here to Van Gogh Gallery. Click here to Metmuseum for Monet’s Tulip Fields near Leiden.

Girl With A Pearl Earring

The Painting (1665)

Girl With A Pearl Earring

Not much is known about this girl looking back at the artist with her soulful glance.  The pearl earring, the focal point of the painting, is obviously incompatible with her humble attire.  Vermeer has captured a mystery open to anyone’s imagination.  But it takes a master storyteller to create a believable and poignant narrative that can move modern readers three hundred some years later.

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The Novel (1999)

Vermeer taught me that Less Is More, and I have been practicing that aesthetic principle in my writing ever since.”     — Tracy Chevalier

You can see it coming… it’s almost like reflex that after seeing a Vermeer exhibition I’d go back to the book Girl With A Pearl Earring by Tracy Chevalier, and re-watch the DVD of the movie based on it.  Well, especially when I didn’t get the chance to see the painting itself in the exhibition.

GWAPE Book CoverIt was this book that first sparked curiosity in me about Vermeer and his works.  Tracy Chevalier has done a superb job in creating out of her imagination the story behind the girl with the pearl earring, within the realistic social and historical contexts.  She has brought to the surface layers of possible subtexts hidden in this seemingly simple portrait.

I’ve appreciated that she has chosen the social segregation and hierarchical class structure of 17th century Delft as the backdrop of her novel.  So, instead of a sweet little tale or melodramatic story,  Chevalier highlights the complex social reality of power relations between servant and master, artist and patron.  She has masterfully created a scenario whereby the social distance between the servant girl, Griet,  and her master Vermeer, is drawn closer by her quiet understanding and appreciation of aesthetics.  With the same sharpness and sensitivity,  Chevalier has also shown how a wealthy patron can exploit art with his despicable, self-serving lust.

Chevalier’s ingenuity tugs at our heartstrings as we see the innocent and powerless being played as pawns,  no more than flies caught in the web of the rich and powerful.  The struggle between survival and artistic freedom is poignantly painted as irreconcilable subjects on the canvas of financial reality.  And fate teases all.  Yet among all these, the natural light that comes from art and beauty silently seeps through, brushing us warmly with a tender glow.

Do try to get hold of the Deluxe Edition.  It includes 9 full-color Vermeer paintings, which are cleverly incorporated into the story by the author.

Girl With A Pearl Earring by Tracy Chevalier, Deluxe Edition, published by PLUME, Penguin Group, 2005, 233 pages.

~ ~ ~ 1/2 Ripples

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The Movie (2003)

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GirlWithPearEarring1

Watching the movie Girl With A Pearl Earring is the closest to actually seeing a Vermeer exhibition.  Every frame is like a Vermeer painting with its extensive use of natural light from windows, contrasting the shadows in the interior of the Delft household.  The film was nominated for three Oscars in 2004, Best Art Direction-Set Decoration, Best Cinematography, and Best Costume Design.  In other words, it’s a pleasure to watch… it has to be because dialogues are sparingly used throughout.  Herein lies the strength of acting and the effectiveness of sound and visual communication.

The restrained performance of Colin Firth as Vermeer and Scarlett Johansson as Griet brings out the reality of the social order of the day.  A servant is not supposed to speak unless spoken to.  And what does a master has to say to an uneducated maid, unless he sees in her the appreciation of art and the clear understanding of aesthetics, of light and shadows, of beauty in the mundane.

Vermeer’s asking Griet to be his assistant and ultimately putting her in one of his works, albeit reluctantly for both, sparks off repugnant reverberation in town, and of course, the fierce jealousy of the painter’s wife Catherine (Essie Davis).  But as flies caught in the web of patron Van Ruijven (Tom Wilkinson), with debts to pay and a full household of mouths to feed, the artist has to bow to reality, and the even lower-ranked servant has to yield to her fate.

The visuals and music are the key to revealing the internal.  Beautifully shot in Luxembourg to simulate 17th Century Delft, the movie is a work of art in itself.  Colin Firth’s usual reticent persona on film fits him perfectly this time.  His taciturn portrayal of the ambivalent artist betrays the struggles within.  Scarlett Johansson delivers a convincing performance as pure and innocent Griet, and her gradual growth on the path of experience, albeit the book, as usual, depicts the inner turmoil more effectively.

The special feature on the DVD is enjoyable as well, chronicling the making of the movie.  I hope though that a Blu-ray version will come out one of these days, for that will indeed do justice to the cinematography and to the original artist, the master painter Johannes Vermeer himself.

~~~ Ripples

CLICK on the following links to go to related posts on Ripple Effects:

Inspired By Vermeer

Books and the Gender Issue


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Vermeer in Vancouver: Noticing the Obvious

For more Vermeer, Click Here to go to my post “Inspired By Vermeer”.

Vancouver Art Gallery’s premier summer kick-off is the impressive exhibition: Vermeer, Rembrandt and the Golden Age of Dutch Art. The exclusive show of masterpieces from Amsterdam’s renowned Rijksmuseum includes paintings, drawings, and decorative arts from 17th century Holland. After five hours at the Gallery, I left hungry for more Vermeer. Overall it was gratifying, but I was expecting just a few more glimpses of the great master.

Of all the 128 pieces of art work, there’s just one Vermeer painting. Placed at the end of the exhibit, apparently the highlight and climax of the show, is Vermeer’s Love Letter (1669). From his signature point of view, peeking through a partial opening of pulled-back curtain, we look into another room and see a maid just handed her mistress a letter. By the exchange of their glances, it seems they’re sharing a secret understanding. This is another one of Vermeer’s works that’s full of potential stories and rich in subtexts. Actually anyone of them is a novel to be written, not less dramatic as Girl With A Pearl Earring.

Vermeer's The Love Letter

Love Letter by Vermeer (1669-70)

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17th century Holland was a new Republic that had just gained independence from Spanish rule. The beginning of the exhibits sets the stage depicting a young nation with great maritime power. Domestically, it was a country marked by a vibrant economy and a rising middle class, as well as the flowering of arts and science, architecture and urban planning.

In the midst of such affluence and fresh hope, some of the artists spoke with their brushes as prophets of their time. Among paintings of naval glory and conquests, as well as glimpses of domestic life of the rich, there are also the quiet displays of still life. I must have seen them before. Why have I not noticed their significance previously?

They are paintings of withered blossoms, burnt out candles, hourglasses, books and musical instruments, and most prominently, skulls, eerie arrays of them, decaying bones and teeth. Why all these objects? The audio commentary confirms that they are Vanitas still life, the term rooted in Ecclesiastes, “Vanity of vanities.” And obviously, they are symbols of the fleeting nature of life, the callous passage of time, the transience of knowledge and human achievements:

Pieter Claesz Vanitas Still Life

Pieter Claesz: Vanitas Still Life (1628)

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Skulls on a Table

Aelbert Jansz van der Schoor: Skulls on a Table (1660)

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On the piece of writing crumpled up is one last word, Finis, The End:

Still Life with Books Jan de Heem

Jan Davidsz de Heem, Still Life with Books (1625-29)

It’s commendable that the rich and powerful were willing to be reminded thus, considering these were once paintings adorning the walls of their affluent homes, a nagging presence they could not ignore. And they must have paid to have them painted.

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One of my favorites in the exhibition is Nicolaes Maes’ Old Woman in Prayer. Maes, a student of Rembrandt, had captured the simple piety of the old woman of lowly means: her earnest concentration, wrinkled face and hardened hands, the earthen wares and simple meal, and above all, her meager possessions on the ledge, an open Bible, a lamp, an hourglass and a prayer book. The warm light on her face almost makes her look divine. Maes did not forget to include a comic relief, her cat at the lower right bottom must have known what’s for dinner:

Nicolaes Maes Old Woman in Prayer

Nicolaes Maes: Old Woman in Prayer (1650-60)

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Sources: Skulls on a Table from Vancouver Sun. All other paintings in this post: Rijkmuseum, Amsterdam.

Beauty and Truth

Unlike my previous trips out here, this time in Vancouver is a learning experience. I’m spending two weeks at Regent College on the UBC campus to learn the language of faith and film. The art and architecture of Regent set the inspiring milieu for exploring beauty and truth. Here are a few vignettes:

The True North Wind Tower and Lux Nova Art Glass:

Installed in 2007, the tower stands as a symbol of integration. Its highest point is designed to be in line with the North Star, the beacon of direction through the ages. The structure brings together the seemingly polarized ends of science and art, and accentuates faith in all aspects of life. CLICK HERE to read more about this 40 foot tall distinguished landmark.

Architect Clive Grout designed the self-sustaining, energy efficient True North Wind Tower as a natural ventilation system for the library built underneath it. Artist Sarah Hall incorporated solar cells into a cascade of glass work. They store energy during the day to illuminate a colored, celestial waterfall at night. This is the first installation of solar energy and art glass fusion in North America.

Embellishing this graceful design are twelve dichroic glass crosses, weaving through an inscription of the Lord’s Prayer in Aramaic, the spoken language in Jesus’ time. What a magnificent alchemy of art, architecture, faith and science. Just two weeks ago, on April 29th, this beautiful architecture won the prestigious Design Merit Award for Sacred Landscapes from the American Institute of Architects (AIA) in San Francisco. CLICK HERE to read more about this Award.

Regent Wind Tower

A closer look at the art glass:

Lux Nova Art Glass Close Up 2

For the magnificent night view, CLICK HERE to go to Regent’s site.

As for the theology library built underneath the tower, it’s another beauty:

Regent Library

Wisdom

A stone-throw away from the Wind Tower is this serene setting:

Garden Bench

Even the wisteria speak to the intertwining togetherness of Beauty and Truth:

Intertwining Westeria Stems 4

Intertwining Westeria Stems 2

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Original Photos and Text by Arti of Ripple Effects. ALL RIGHTS RESERVED, May, 2009. If you see them on a site that is not Ripple Effects, then they are copied without permission. CLICK HERE to go to the original post https://rippleeffects.wordpress.com

Vancouver Journal

Arti is blogging from Vancouver these two weeks. Here are some initial sights from yesterday’s roaming.

Rhododendrons everywhere:

Rhododendron everywhere

Rhododendron in bloom

Views from Spanish Bank:

Vancouver Skyline

Vancouver skyline from Spanish Bay

Solitary Moment

Solitude at Spanish Bay

Woodpecker hard at work and play

Woodpecker at work and play

Despite the temperamental weather, Arti will be soaking in all the views, making best use of her solitary moments to peck away … oh, who cares whether it’s for work or play. The woodpecker knows there’s no boundary separating the two.

ORIGINAL PHOTOS AND TEXT BY ARTI OF RIPPLE EFFECTS. ALL RIGHTS RESERVED. MAY, 2009.

IF YOU SEE THIS ON A SITE OTHER THAN RIPPLE EFFECTS, YOU’RE SEEING A POST THAT’S BEEN COPIED WITHOUT PERMISSION. CLICK HERE TO GO TO THE ORIGINAL SITE https://rippleeffects.wordpress.com

Movies for Mom

If you’re reading this on a site that is not Ripple Effects, your’re reading a post that has been copied without permission. Stop reading and CLICK HERE to go to the original post written by Arti of Ripple Effects. https://rippleeffects.wordpress.com

OK, now that the little bit of housekeeping is done, we can start. Mind you, the above words are the only pink, or red, you’ll see here, because this is not your typical Mother’s Day post. I’ve checked on several Mother’s Day sites for good movie ideas. They’re all framed by pink templates. They all point you to movies as old as Gone With The Wind (1939), or as teary as Terms of Endearment (1983), or as dysfunctional as The Joy Luck Club (1993). I mean these are great, but, renting an old DVD for Mom on Mother’s Day? Hasn’t she seen enough Sleepless in Seattle (1993) on Encore Avenue?

By all means, take Mom out to the theaters to watch a movie on her special day!

And guys, you don’t have to sit there, endure and groan silently for two hours. Because here you’ll find iconoclastic, i.e., stereotype bashing, non-chick-flick-genre movies that you and Mom will enjoy watching. Who says mothers are naturally drawn to pink or chick-flicks anyway? I’m speaking from experience. Nothing can make me more proud than to have my teenage son accompany me to the movies. (Bravo to him for his boldness!) Yes, just mother and son. And nothing is more rewarding than to share an experience that we can talk about afterwards.

Here’s Arti’s list of current movie recommendations for Mother’s Day, 2009. As I said earlier, this is the stereotype bashing list, so you won’t see Shopaholic here. Thrillers, actions, sci-fi’s, dramas… who doesn’t need an adrenalin rush every now and then to keep the body functioning?

State of Play

state-of-play

An absorbing story of corruption, deceit, and investigative journalism. The movie presents an interesting scenario: the old-school investigative newspaper reporter is pitted against the fresh-out-of-college blogger, both hired by the same newspaper to draw readership, a version of PC vs. Mac on the battlefield of journalism. When the female research assistant of congressman Stephen Collins (Ben Affleck) is murdered on the day of a crucial congressional hearing, Washington Globe reporter Cal McAffrey (Russell Crowe) is drawn into the search for the truth. He has to partner up, reluctantly, with Della Frye (Rachel McAdams), a pseudo-journalist/blogger. That’s the executive order handed down by their feisty and no-nonsense boss Cameron Lynne (Helen Mirren). As the investigation peels off layers of suspense, the pair is entangled with dangerous life and death situations. Adding to the intrigue is the role of Robin Wright Penn as the Congressman’s wife, and the colorful Jason Bateman as Dominic Foy, a crucial lead to solving the case. Mom would enjoy the performance by the stellar cast and the well edited screenplay. As to who saves the day at the end? I won’t spoil it for you… you deserve the credit for entertaining Mom.

Taken

taken

This may be in your second run theaters by now, well, so much the better. Don’t miss it on the big screen. After March 18, I look at Liam Neeson differently. Here in Taken, he embodies the superhero of parenthood. He shows us what a father will do to save his daughter, especially an ex-CIA dad against a human smuggling ring of bad guys. Bryan Mills (Neeson), a highly skilled agent who has retired early to make up for lost time with his daughter Kim (Maggie Grace), has to use all his resources when she is kidnapped while visiting Paris. The action-packed, fast-paced sequences leave you no time to be skeptical of the impossibilities. Mills’ expertly-trained speed and agility would make Jason Bourne drop his jaw (literally or figuratively). And, stand aside James Bond, you’re not in the league, it’s heart we’re talking about. Lose yourself, be swept away, it’s pure escape and fantasy. Any parent can identify with the fear of a child being taken and hurt and the feeling of helplessness that ensues. Liam Neeson just acts out the imaginary scenario, the omnipotent father coming to the rescue of his own, and he’s won my heart. (So remember, it’s great for Father’s Day too, but Dad will likely have to watch the DVD.)

Star Trek (2009)

Wolverine too hairy? Bad manicure? Bring Mom to Star Trek then, if she’ s up to pushing her way through the crowds. I’m sure she’d enjoy at least some elements of the movie. While you’re cheering for the young, new Kirk, she might be reminiscing the First Generation. This deserves a brand new post. So watch for it in the days to come.

Other recommendations have been reviewed on Ripple Effects. If they’re still on the big screen, Mother’s Day is a good time to enjoy them with Mom:

The key to making Mom happy: Spend time to talk afterwards.

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Photo Source: Taken, msnbc.com; State of Play, usatoday.com